The Clever Little Sharp


After following the clever little clock thread to its current uselessness, I had come the conclusion that the whole concept was total nonsense. The fact that this product’s effect can’t be explained in literature and is, in fact, almost secretive leaves me suspicious. But like many curious audiophiles, I just couldn’t resist doing an experiment.

Before I go further, I must say that I was willing to chalk my findings up to a small personal victory not meant for publication. This is primarily because I didn’t want the negative responses pointing at the fact that I was either crazy or was hearing things that were self-induced.

Over lunch last week, I decided to go to the local discount store and purchase a battery operated clock. I proceeded to the clock counter and proceeded to make a $9.95 cent purchase into a major buying decision. Battery operated w/cord?, LCD or LED display?, black or silver case?, atomic auto setting?, etc. etc. There were probably more than 15 models between $7.99 and $14.99. I ended up with the Sharp LCD atomic clock w/day & date for $9.95. I have no idea whether any of these features are detrimental to the end result, and I doubt if I will ever buy 12 different battery clocks to find out.

I waited for the clock to automatically set itself and set it on a computer table in the room. While I played a few selections waiting for the system to totally warm-up, I thought I noticed a more palatable nature to the sound – actually more musical and warm. There you go, I thought, hearing a change because you want to. I left the room and took the clock outside and laid it on the concrete patio behind my home. About ten minutes later, I returned to listening and darn if something wasn’t missing. This is beyond crazy. I put the experiment on hold.

Later that evening, my son came over for a visit. He is no audiophile, but has the virtue of having 26 year old ears. He has called changes in my system in the past with relative ease and I consider his hearing above par. I asked him to sit in the sweet spot and evaluate if there was a change. I played a selection from Dan Siegel’s Inside Out CD for a reference and then brought the clock in and hid it behind the computer monitor. I requested that he keep his eyes closed and did not let on to what, if anything, I was doing. Midway through the same selection, he smiled and asked “what did you do?” I asked “Why, what are you hearing?” He went on to say that the midrange opened up and is more airy and the bass is more defined, tighter and deeper. I must admit that I thought I was hearing the same thing. I laughed at this point and said to wait until we do this a couple more times. After running back between the patio and listening room a few more times, I finally showed him what I was bringing into the room. His reaction was NOooo! NO WAY!

Even after this, I though that there is no chance that I will post this to Audiogon. It’s like seeing a UFO (not that I have) and trying to convince someone who hasn’t that it is real. Must be a blimp, right?

I decided to enlist my long-time audio friend Jim J. to see if my son and I were both crazy. Now, his ears are variety 1945 (or so – he won’t admit his age) but they are golden by audiophile standards. I proceeded to pull the same trick on him, not letting on to what if anything I did. I will tell you from past experience, he will call the session exactly like he hears it. This means that he will also not say that there is an improvement or any change if it simply is not there. He is as close to the perfect candidate that I would find or trust.

A similar thing happened, but rather than a smile, it was a sinister grin. “What are you doing?” He said. “What is that thing you went and got? It isn’t radio-active is it” he joked. “Well it is atomic” I said as I laughed. COME ON, what is the deal with this? I joking replied that it was top secret, but admitted I really have no idea. What did you hear? He replied that the overall openness and air around each instrument had improved as well as a cleaner, more defined presentation.

I’m sure that many will think we are all crazy, but I thought the open-minded would appreciate the information. I have no idea why it works, nor what the difference is with the supposedly modified clever little clock. I do know that for $9.95, a stock Sharp will enhance your listening. And if it doesn’t, return it to Walmart.

That's my story and I'm stickin to it.
tgun5

Showing 8 responses by tgun5

To answer some of the questions;

I haven't tried to put anything around it - padded box, etc. I have put it in different locations within the room and it is consistant in each location. I haven't tried other rooms

I have not tried to fool any of the listeners by pretending to bring something in and did not. I probably should have but since 1) they didn't know what I was bringing into the room 2) that it wasn't related to the system since it was on the opposite side of the room 3) I could have been bringing in nothing, or a rock just to play a game on them. These factors lent credibility to the test.

I have not tried multiple clocks as of yet. I was hoping that many of you would take this to the next step and do more experimenting.
It's already audio night at the comedy club. Or is it conmedy night at the audio club?
heres a link to the Clever Little Sharp
http://www.amazon.com/gp/product/B0009OAFOI/002-0713836-4082401
Zaikesman, I have read explanations like yours many times, so this phenomenon is certainly not new or unknown to me. However, your explanation assumes many things.

It assumes that every tweak we try will produce a change for the better if our subconscious decides this prior to listening to it. This is simply not the case. I have tried numerous tweaks over the years and many have produced zero to very negative results. This means that with each tweak, I have subconsciously predetermined whether there will be no change, a negative change, or positive change. This is ridiculous.

It assumes that every one has been gifted by God with the same ability to hear. If we were all blessed the same, there wouldn’t be enough Olympic gold medals to go around.

It also assumes that you know the people involved, which you don’t. You explain that my excitement and subliminal cues affected the outcome. I can assure you that Jim J. is less interested in agreeing with me and more interested in telling the truth as he hears it. Over the past 30 years, we have used each other to check and verify what each of our systems is doing. Many times, the conclusion is negative, not positive. If anything, I have learned over the years not to show excitement for Jim actually enjoys bursting my bubble.

Do you really believe that I wanted to report that a stinking clock improved the sound? I find this concept ridiculous and it quite frankly, it may make me to appear to be an idiot – and in so many words, you point this out.

If you believe that differences in sound at the upper level are dependant upon applied technology, I wouldn’t disagree. I also point out that the most tweaks are applied or designed using a scientific concept, yet this does not mean all variances within the concept affect the sound equally. Take cable risers for example. The concept is that raising the cables off the floor reduces the amount of static transferred from carpet. Makes sense, but different brands of ceramic risers sound dramatically different. This evidently has to do with the type of glaze used and its RFI/EMI rejection. Should glaze make a large audible difference in cable risers? Probably not, but it does. And risers of acrylic, cardboard or wood also sound different. Regardless of the reason, this is where the “magical” part of this hobby comes into play. To the average person, this would sound crazy and certainly make no sense. To the audiophile who has taken the time to compare, it is fact.

Do I believe the clock is magical? Absolutely not. But like the glaze, some things produce results that are beyond expectation and understanding. Besides, the clever little clock supposedly does operate under some scientific theory that I previously decided was bunk. It apparently is not.

I believe this is less about a double blind test and more about your desire to disprove and argue. I think you may be in the wrong hobby. Or maybe you aren’t. You might consider opening a company that offers double-blind testing services to audiophiles, making sure their methods conform to the limits of science.

I have offered a cheap experiment that anyone who wants to take the time and effort can do. If you don’t want to spend the $9.95, have predetermined it will not work, cannot trust your hearing, or think your system does not have the resolution capability, simply do not do it. It’s pretty simple.

As far as this clock, I trust both my hearing and Jim’s and our ability to report the differences accurately. This is part of the hobby and knowing what and how to listen to improve the sound. I simply do not need a double blind test to verify this. My sound is proof of this fact.
Actually, the money is the main point. If, in fact, this is a mind trick and I have been fooled, I have proven that a company can downright lie and charge $200 for something that makes no difference other than through mind games. If this is the case, I have also proved that they can get away with it because we hear what we want to hear. Experiment successful!

On the other hand, if this thing really does make a difference, it can also be heard with a $10 variety clock as well as a $200 variety tweak clock. You just saved $180. Experiment successful!

I never said that this made a gigantic difference. It does make a pleasant change for the better, whether actual or not. I believe I heard and hear what I hear with this thing. Is the difference worth $200 if it is real - NOPE. That means it is certainly not worth $200 if it is percieved. If it is perceived and not actual, it is still worth $10. Certainly! I have paid more for a bottle of wine. Experiment successful!

Now to be serious. This particular tweak is about the money for many reasons. I'm happy with my $10 purchase. I'm not sure whether anyone who spent $200 is happy with their purchase as no one has come forward. Maybe for good reason.

When I get the chance, I will do a double blind test so that this debate can be put to rest. And if there is no difference, I will again admit I was wrong. At that point, I will just be reverting back to my original thought that the clock was bull. Then I will probably keep the clock for its wonderful time keeping ability! We will see.

Zaikesman: WOW, where do it start? I feel the need to answer your questions, but I feel that you have read my previous answers and are not absorbing them. Maybe I’m assuming that my explanations are complete enough and they aren’t. In either case, I’ll do my best to qualify what I previously said.

Sure, sure. That's why you then went and bought a clock --but not even the
clock in question -- because you thought it was "bull". You're a debunker, only
a thrifty one.

I said this (that it was bull) to make it clear that I expected not to be writing a report at all. To write a report saying the clock didn’t work would have proven nothing other than to solidify my own feelings on the subject. After reading what little information and theory the CLC is based on, I also had a suspicion that there was no proprietary engineering being done to the CLC. I surmised that if there was going to be a difference at all, it would probably be because of the clock, not some modification to a clock. This would still not have proven whether the CLC actually works, but it would have closed the door on this subject for me. Yes, the cost of $10 was the incentive in giving it a try. I would never have tried the $200 CLC because I WASN”T convinced of the theory. I still don’t understand it. I also said previously that I was an open-minded individual. The combination of this and the $10 led to the test. For $10, I really don’t have a reason to hypnotize myself into an improvement. Besides, I could have returned it if the $10 was needed for Starbuck’s later. Again, your assertion points to some mental pre-determination as to whether each tweak will work or not before I try them. If this is the case, the clock should not have worked, yet it did. I really don’t understand what is difficult to understand here.

Let me ask you something Tgun5: Why is it so hard for you to admit to being human?

I believe that this whole exercise proves that I am human. I learned some time ago that our minds do not comprehend or understand most of what exists in the universe. I have no problem admitting that. I also know that since scientific and psychological theories are a product of the human mind, by nature they could be inherently flawed. This is a discussion that does not belong on an audio forum. The best argument for the fact that I am human is that I admitted that I was wrong about the clock. This is more than I can say for many who post here.

Guys really *do* think they can hear better than other people; really *do* think
they're not subject to the same pitfalls of the mind as the riff-raff; really *do* believe
they're somehow exceptional


Yes, I do believe that some people hear better than others and this includes audiophiles and unfortunately, musicians. You admit you are a musician so you must know that there are people who CAN sing and those BELIEVE they can sing. The difference between the two groups is that the ones who THINK they can sing can’t hear themselves. Then there are the ones that CAN sing that can’t hear whether they are flat or sharp. My experience is that many audiophiles do not hear as well as others. Probably to the same degree and ratio as good musicians to average musicians. The bad musicians equate to the individuals that hear a good system and wonder why we are audiophiles to begin with. I believe most audiophiles have the ability to hear for the most part otherwise they wouldn’t appreciate the hobby to begin with. We call great singers and musicians “trained”. Trained audiophiles know what to listen for and how to trust what there are hearing to get the results.

Normal standards of reason and scrutiny obviously can't apply to such an elite group,
on an aesthetic mission. To question them is to doubt them is to insult them. With their
expensive gear and the encouragement (or peer pressure) of this frequently delusionary
community of insecure neurotics, they've come to believe they're in a way superior to mere mortals

You have not insulted me by questioning me. Some of these statements are insults, but I forgive you. I do not believe I am superior to “mere mortals”, nor am I insecure as you suggest. I am just as flawed as the rest of us. However, I am absolutely secure in my hearing and the findings on the clock. I am also convinced that I have been blessed with the ability to discern differences in sound, their overall effect on the system, and the proper approach to improving the sound. This would be no different than being blessed with the ability to sing, which I cannot. In any case, these are God-given talents. According to your philosophy that everything needs to have a scientific explanation, God could not exist. Although unscientifically proven, this fact is undeniable, unarguable, and irrefutable in my mind. I guess this also proves I’m human. I certainly am glad to be a human that is sure that Jesus died to forgive my sins.

In any case, I thought my findings would be fun for some to experiment with and would somehow enhance the hobby. I’m glad that it made a difference for at least one member - Tarsando. This makes taking all the heat worthwhile.

I didn’t expect to be attacked to this degree, although one never knows here on Audiogon. The real fact that has been forgotten or mentioned is the impact my findings have on the CLC.

I don’t know that there is any point to take these arguments further as we are very far apart in our thinking and neither will persuade the other. If you do choose to take this further, I would be curious whether you have a list of components, parts, or tweaks in your mind that would, will, or do change the sound and to what degree. In other words, do you believe our “minds” will not allow us to really hear a change in preamps, amps, or speakers? Or whether this starts to be minimal with cartridges, tonearms, and wires? Can you discern the difference in capacitors, diodes, and resistors? Your arguments may in fact challenge whether audio component designers really can hear what they are trying to bring to market and whether these issues affect their design. It also brings the question to whether all audio designers do blind listening tests before deciding each component they use in state-of-the-art designs. I think we all know the answer to that. At what point IS the designer fooled by his own expectations and the hearing/psychology involved? Depending on your thoughts, this hobby may not match your ideals - or at least cause you frustration in dealing with passionate audio idiots like me.
And you are wrong again Zaikesman. You said "Baby, you read about a clock improving the sound, you went to the mall and paid money for a clock, hoping it would improve your sound. Get real." I CLEARLY have said over and over again that I expected nothing. I was hoping for nothing. I thought the clock was bull. What do you not understand about these statements?

And yes, there is clearly a difference in the sound of ceramic cable risers. Many here on Audiogon could probably attest to that fact. The trouble is, many that call themselves audiophiles don't take the time to experiment, but they are full of opinions that are OK for print.

Yes, I believe that either you don't care enough to try, can't really discern differences, or refuse to hear differences due to your intellect.

What I really believe though is that you just enjoy a good argument.

Regardless, everyone here is always welcome over for a listen.