The best preamp without a doubt..in my experience


I have always had a thing for preamplifiers. I tried many of the best brands—just to name a few: Shindo (several), Spectral, Klyne Arts, deHavilland, Berning, Placette, Marantz. I thought I had gotten close to the top as far as preamplification goes...until I got lucky enough to find an EAR G88, which is what deParavicini himself defines his masterpiece. Well, I am dumbfounded. The music flows more naturally, more realistically than ever before. You feel like being in closer touch with the instruments or the voices. The sound is just real, and for the first time I felt like I heard a real bass in my system. It’s an old product. It was produced in the early nineties, and only in 25 exemplars. But if you’re lucky enough to find one...don’t let it go.
ggavetti

Showing 1 response by almarg

Bdp24, re your question, arcdb.ws provides schematics for a number of older ARC preamps. It appears that in cases where the internal signal path is balanced but outputs are provided on RCA as well as XLR connectors, the Ref 2 being an example (click on the schematic thumbnail at the bottom left of the page), the center pin of the RCA connector is wired directly to XLR pin 2, and is thereby provided with one of the two signals in the balanced signal pair.

Which means, of course, that if the two outputs are used simultaneously (perhaps to connect a powered sub to the RCA connector in addition to the main power amp being connected to the XLR connector), that a possibility arises for adverse sonic effects on the balanced signal path, and on the unbalanced signal path as well. Which may or may not be significant depending on the impedances that are involved, as well as the cable lengths and cable types.

Regards,
-- Al