The Best Midrange in the World Right Now



There seem to be a growing number of posts which lament the fact that hi fi has gotten too hi fi, too neurotic, and just doesn't sound good.

As I thought about this, I realized that many of the most enduring, classic audio products (Quads? LS35a's? ARC tube amps & preamps? Apogees?) were noted not for their "transparency", thunderous bass, "resolution" or high frequency "extension".

No, what seems to have stood the test of time was old fashioned, middle of the road MIDrange. Is midrange the best benchmark for our hobby?

In many threads, a mention of midrange seems almost quaint and/or apologetic:

" the classic ________ doesn't have the "resolution" of many of today's products in the $150 to $200,000 category, but it still boasts MIDrange which will put all of them to shame!.."

I find this very curious, as to me, there is no high end without glorious, gorgeous, natural, startlingly lifelike MIDrange.

Please, support midrange.

And tell us: what components or combination of components can still deliver good old fashioned midrange today?
cwlondon

Showing 4 responses by islandear

Great thread. Elsewhere on Agon there was some recent discussion about whether to build a system from source to speakers, or vice versa. It's my opinion, and experience, that it's best to build from the speaker to source. The midrange has always been the focal point for me and, as a result, I have not yet been compelled to look at a replacement for my Parsifals. They don't reproduce below 25Hz in my system, but bass is substantial and never at the expense of midrange purity. (BTW, a great recording for bass reproduction is the beginning of Paquito D'Rivera's "La Bella Cubana" from his album, Portraits of Cuba, Chesky JD145. With this recording even most of the 'full-range' speakers I've listened to flattened out before Roger Rosenberg's baritone sax hit bottom.)

Similar to Newbee's penchant for realistic piano reproduction, I am a fool for saxophones. I want to hear Webster's breathing, or the difference in embouchere between Ammons and Jacquet. Because that's what you hear in person (assuming the space has decent acoustics and/or amplification). I've been in any number of jazz clubs across the country from the Blue Note to Snug Harbor to Shelly's to Jazz Alley, and the best listening experience in those clubs is what I strive for in my sytem. With very few exceptions, my Parsifals are able to better reproduce those experiences than the majority of speakers I've had the opportunity to listen to. Accurate - and pleasing - reproduction of frequency extremes is good, but never, never at the expense of the midrange.
"Thats a Bass Viol not a Barotone Sax that hits about 36 Hz. I never heard a baritone Sax hit that low, just my two cents."

Actually, Shadorne, there is no bass viol on the recording. But, after listening to the track again, it might be a bass trombone, and it does, indeed, read lower than 36 Hz in my room.

Just underscores how different each listening venue can be.
Shardorne, I stand corrected. The funny thing is, when I listen to this intro, the lowest register does not sound like a bow drawing, rather like an embouchere that is beginning to collapse. I'll listen to the recording again later today just to identify the differences you describe. Nonetheless (and I love to use words like that) the bottom-end reproduction of this intro has flummoxed every speaker I've heard - and I use this piece toward that end.

Thanks for the insight.
Shadorne, I love the Dozen! Isn't on that cut on the Collection? ...and of course the Danny Barker special, "Don't You Feel My Leg..."

Elvis Costello has championed them but outside of Nawlins they don't get nearly the attention they should.

But, we're off topic here, aren't we? Anyway, these are yet more opportunities to assess one's midrange...LOL