The Back Street Boys of Classical??


I have recently started piano lessons and theory with a wonderful teacher who is remarkably intelligent and has decades of experience playing and composing. When asking me about my taste in music, I think I mentioned Stravinsky, amoung others, from a basket of jazz, pop and classical music that I have enjoyed. I guess I need to be humbled as a student as I was a little embarrassed when he used the expression "salon composer", which I took to mean popular with the bourgeois but not taken seriously by musicians. An additional faux pas of mine was thinking that Vince Guaraldi should be found in the "jazz" section of Tower Records. Could someone educate my a bit more about classical (In the Tower Records, not historical sense of the word) composers? Who would be considered the N Synch of their time? And which composers have really endured as as worthy and challenging for people who really understand music? I realize this is somewhat subjective but hopefully will inspire lively debate.
cwlondon

Showing 1 response by kurtisjeffers

As a composer, myself, I have to say that you should really disregard your teacher's comments about Stravinsky. Stravinsky has been, in fact, absolutely, without question, the most influential composer of the past century. That applies instrumentally, rhythmically, developmentally and stylistically. Some might say the same about Schoenberg, but that applies more to his music theory, not his compositions. Your teacher is certainly free, as you should also be, to have his opinions and tastes, but don't let him turn you off to one of the world's greatest composers that quickly. After spending years in a collegiate conservatory atmosphere, I have really never met any professional musicians who think that Stravinsky's music is "salon music". I have met those who don't particularly like Stravinsky's music, but that's a different thing altogether.
It is, however, generally popular, as a professional musician, to insult composers of merit. People obtain a feeling of superiority from trying to point out what they see as weaknesses in others of the same profession. For many years, Mendelssohn, Tchaikovsky and Mozart have been the objects of much insult. This, in spite of the fact that they are three of the most talented composers to have walked the earth. Franz Josef Haydn, himself, told Leopold Mozart, the young Mozart's father, that the young man was the greatest composer to have ever lived. But for many years, people have said of him that he wrote, as Charles Ives said, "...music for nice people." Interestingly enough, Samuel Barber said of Charles Ives that "he was a hack."
Try reading Lukas Foss's essay at http://amherstsaxophonequartet.buffalo.edu/Foss.htm. It's not necessarily a response to your question, but I think that you might find it interesting.

Happy listening!!
Kurt