The absolute best and worst-sounding CD you own ?


This could be a tricky one. Many audiophiles and music lovers will care more for an artist they like in mediocre sound than a artist they can't stand no matter how great the recording is. Still, I am interested in finding out what truly outstanding recordings there are out there. Of course there are listening biases and all that can be said about the equipment.

My personnal best: Harry Belafonte at Carnegie Hall

My worst: The standard cd issue ''YES-Fragile'' just plain bad no matter on what you play it on. OK so this is a ''rock'' cd and they are all supposed to sound bad right?, still, there is no excuse for this turkey.

Let's have your choice...
sonicbeauty

Showing 2 responses by gullahisland

Best - Lyle Lovet "Joshua Judges Ruth" Maybe not the absolute best recording that I own, but when considered as a complete package, it's a phenomenal piece of work AND it sounds good! Unfortunately, a lot of the really great recordings are just plain BORING.

Worst - Patricia Barber "Cafe Blue" I know that a lot of people think this is a great recording, but PLEASE! High frequency distortion abounds. My dog runs for cover!
Thank you Viridian. Why anyone would use this recording as a "reference" is beyond me.

Quick Story: The first time I heard Cafe Blue was while purchasing a preamp from a fellow AudiogoN'r. He wanted to demo his system for me. As shrill as this cd can sound, you ain't heard nothing 'til you you've heard it through Audio Physic Virgo IIIs driven by a Krell KST-100...NEARFIELD! Whew! That was brutal.

Priz - In reference to Counting Crows August and Everything After" - I just listened to it a few nights ago (for the first time on my new system) and noticed a few things. First, as a whole, it's not a bad recording. Up until Hard Candy was released, it was their best sounding album. Hard Candy, while highly "produced" is a better recording, but still not great. Anyway, August and Everything After varies greatly from track to track. I haven't looked at the liner notes, but I'd guess that some tracks were recorded in different studios. "Omaha" is the best track, sonically by a long shot. "Anna Begins" is a close second. The hiss that you refer to is primarily found on the opening track and is quite noticable. Either it gets better as the album progresses, or the neurons stop firing and I don't hear it anymore :)