Teton monitors from Wavetouch Audio - A Must Hear


In the market for a pair of monitors recently, to gain more living spaces that being taken over by the growing LPs collection and the Wilson Sophia that I have put up for sale, I start doing some audition, googleing and look around. I know it's going to be a tough task finding any speakers that could produce the sound I have used to for many years from the Sophia.

To make sure I don't make a mistake and miss out on the big names, the likes of Harbert, Tannoy, B&W, psb, sonus....I start hitting the showrooms of LA. All of them are good, decent speakers but they don't strike me as possible replacements for the giant Wilson, three times their sizes. Then I found an unknown brand advertised, kevlar, horn tweeter and exotic rosewood in all. The rosewood always got me, I contacted the owner for a listen. A copy cat of B&W it turn-out and the speakers were bought in lots for testing and experiments by Alex Yoon of Wavetouch Audio in LA. Alex then let me take a peak listen to something he was 'putting together' as he said, and fine-tuning for review at StereoTimes. I hastily agreed. We headed for the studio where he does his work, the size of a four-car garage.

There I was introduced to a pair of tiny monitors, the 'Grand Teton', I later learned, in rich, exotic Russian birchwood that one can tell of top-notch quality, carefully and meticulously put together. We spent the next two hours listen to tracks after tracks of acoustic, instrumentals and vocals music. The monitors fill the huge studio with music as if a pair of 5-foot tall floor standing were in used. Soundstage were ceiling high and 6-foot deep. Vocals were in-your-face with each instrument precisely positioned as if we had attented a jazz rehearsal in a garage. I immidiately inquired about a pair for home audition. This could be the Wilson replacement, I said to myself with reservation. May be Alex had the room treated or using special equipments. But his gear is very mediocre.

Two week past and Alex deliver the monitors for audition. The same pair but has now been finely tuned. Personally position the monitors in my living room, Alex going over some adjustments tips, give me a week to test the monitors and head back to LA. Two day of comparison between the Grand Teton and the Sophia side-by-side, guitar, piano, vocals and everything in between. I contacted Alex and convinced him to leave the sample, don't come back for it and it was purchased with proceed from the Sophia sale. The Grand Teton is now in my living room replacing the giant Wilson for 1/10 the cost, 1/10 the size and not a note missing.

Quite a task for its size. Highly recommended and a must to audiition if you can arrange for one. It will be time well spent just to listen to it.

Music Fanatic,
Irvine, CA
connect400

Showing 3 responses by darkmoebius

I still claim that a sensible website with less magical nonsense, rational promotion through the normal channels (shows, reviews form respected pros) would help the case here, but the persistent shilling by people claiming no connection with the hapless designer still seems suspicious and really doesn't help the brand.

A couple of things, Wolf:
1) Audio shows are extremely expensive and not always a good value proposition for small manufacturers.
2) Lots of new manufacturers come to the attention of pro audio reviewers via the praise of consumers on audio forums
My ACTUAL issues with patent claims and other nonsense on the Wavetouch site have been conveniently and utterly ignored,

I don't see any mention of patent(s) or "magic" on the Wavetouch website

At this point, you've stated your issues with Wavetouch. No one else seems interested in hearing much more about that. And i haven't seen much in the way of substantiation for your claims, on your part. So, why not let it go or move on to another thread?