Teres vs VPI, SME, Origin Live, etc.


I have Manley Steelhead Phono Pre VII and Berning ZH-270 Amp, and I ordered a pair of Merlin VSM-MX. The next step is to upgrade my Table and Arm. I am thinking about the Teres 265(320) with Shroder Model2 Arm or Origin Live Illustrious Arm, or VPI HR-X, or SME 20 with SME 5 Arm, or Origin Live table and arm. The budget is around $7000 (used or new).
For VPI HR-X, SME 20, and Origin Live, I can find some profesional reviews. For Teres, I did not find any profesional reviews, but some user reviews. And there are few A/B comparision reviews on Teres.
It will be greatly appreciated if anybody who A/B compared the above tables to give the information.
Any suggestion is welcomed.
Hanjiang
hzhu1920

Showing 3 responses by berlinta

Hello sirspeedy,
Did you notice the whinking smiley at the end of that last line? No sarcasm intended.
I like to be called by my name as much as I like to call others by theirs, not their monikers. But that´s just me, your moniker wouldn´t keep me from communicating with you. I actually like it.
Developing a "buyers emotion" for more than just a tonearm will be easy if you come to the RMAF in Denver. I´ll be wearing a tag with my name on it, hehehe(couldn´t resist that one :-)

Cheers,

Frank
Hi Guys,
Not only do I not object to being spelled without the umlaut "dots", I decided to skip them when I sketched the logo many years ago for the impossibility to turn the O into a stylized turntable without confusing its simplicity or "purity".
There is at least another tonearm designer, Hans Henrik Moerch, who has to live with the fact that most keyboards don´t feature an o with a line through it(the Danish o umlaut).
As long as you don´t get my first name wrong.... ;-)

Cheers,
Frank

Ah, one more thing: The differences between the Olympos and the ZYX Universe(copper coil version) are quite small indeed, but when it comes to tracking, the Olympos is clearly superior with a test signal(not that the Universe mistracks on "normal" records). Soundwise I will wait and hear how the Universe fares once mine has at least 50hrs on it.
And the latest Triplanar is a very fine arm indeed, yielding a markedly improved sound*(for the lack of a better word, or just substitute "lack thereof") over its predecessors.
Dear sirspeedy(your real name?),
Your suggestion is one of many to participate in shows all over the world. If I was to do this, actual manufacturing time would be reduced to a few weeks per year. Besides, the HIGH END Show in Munich is too close to be present at both shows.
I love NY but I´d have no time to recover from jetlag, nor to prepare for the HIGH END. The prospect of demoing at a crowded hotel in inadequate rooms doesn´t help either.
I will attend the Rocky Mountain Audio Fest in Sept/Oct. again, last year the number of excellent sounding rooms/systems was way above any other show I have attended and the atmosphere was relaxed and friendly. Well worth the trip...
There have been reviews of all my arms in the german press(IMAGE HIFI : DPS and Reference, HIFI & RECORDS : No.1 and Reference and AUDIOPHILE : DPS turntable with No.2 arm).
The UK based HIFI+ reviewed the Reference and there is a review of the No. 1 on TNT and another one of the DPS on 6moons.com, all very favorable.
Whether you consider these to be more meaningful than testimony by users on different forums is up to you. From personal experience I can tell you that many(not all) reviewers neither have the system, room nor time to really come to an "objective" assessment of a component. And objectivity is something you´d be searching forever in audio anyway...
I have declined several inquiries for additional reviews, since this would simply generate more interest = more mails to be answered, more arms to be made, longer waiting time(already longer than I'd like).
I welcome anyone to report problems, incompabilities or any other troubles(helps me to improve my product). I don´t feed my customers any drugs that keep them from speaking their minds.
BTW, my name is not Berlin, it´s the city I live in ;-)

Cheerio,

Frank Schröder