Teres Owners - Please help


I am strongly considering a Teres TT and am torn between the 265 and 320 rosewood models (really like the 255, but spouse insists must be all wood). Rosewood was chosen strictly on price vs. Cocoboblo. There are two (2) issues I would welcome comments on.

Issue #1:
After doing research on Agon and AA, the Teres mass loaded design seems to really need a very heavy and stable rack/stand. I have a Salamander Synergy S40 (http://www.salamanderdesigns.com/syn/synergy.jsp?modelbase=su40) rack with a door on the front to “hide” the other equipment. The Teres will be placed on the TOP of the rack. This rack is fairly stable, but not as much as others. Since the mounting surface is not “super” stable, does it make sense to even consider the 320?

Issue #2:
My Preamp is Mac C2200 (40 dB gain), and I plan on keeping it for many years. With only 40dB gain, I am limited to MM or high output MC and am leaning towards a Sumiko Blackbird or Benz at the moment. My budget would allow for the 265 with the Morch 6 arm (possibly the Schoder 2 if stretched) or the 320 with Expressimo modded Rega arm. Keeping in mind that I can only use MM or high output MC carts, is the table or the arm more critical in this situation? Since most people with Teres tables on the discussion forums seem to use < 1.0 mV output cartridges, I was not sure how a higher output cartridge is more tolerant of a “lesser” table/arm combo?

Thanks in advance for your help!
encyclopediabsh

Showing 1 response by dougdeacon

Hi Encyclopediabsh,

I own a Teres 265 sitting on a Salamander Triple 30. Both purchased for exactly the same reasons as you. Sometimes you gotta do what you gotta do.

All the sentiments expressed above are true. The Salamander is a poor audio performer. As Agaffer said, if I tap anywhere on it while playing a record the thump is clearly audible. In fact, I can easily hear the hinges through the speakers when I open/close a door. So I don't thump on it and I leave the doors shut!

Is this setup ideal? Hardly. The Salamander is unquestionably the weakest link in our system. Does it still make stupendous music. You bet. (Lugnut and Frank: to give you some perspective, despite the Salamander our system as a whole is tighter and *very* slightly more resolving than what we heard in Miami, and nearly as macro-dynamic. We just acquired the same power amp you heard there. It is a wonder.)

Our Salamander also sits on a rather shaky suspended wood floor, which doesn't help of course. To isolate it somewhat from floor-borne vibrations there's a heavy-duty sorbathane hemisphere under each of the Salamander's eight feet. Certainly not what I'd like to have, but it does seem to help. FWIW, the TT does not audibly mistrack unless I literally jump up and down right next to it.

Would I prefer a concrete floor and a solid, massive stand? Of course. I know I'd get stronger dynamics and a lower noise floor. Neither that nor a wall mount is an option, so we get by.

Issue #1
Many of the advantages of the 320 vs. the 265 are independent of the support. Its greater mass provides a superior resonance sink. It has a better, quieter motor and a more massive and stable platter. While I certainly agree a better stand would be beneficial, I wouldn't let the Salamander influence the choice between these two particular TT's. OTOH...

Issue #2
A 265/Morch DP6 will walk all over a 320/Expressimo Rega. I wouldn't put a modded Rega on any Teres except a 150 or maybe a 245. The 160, 255 and above all deserve a better arm. So if all-wood is mandatory I think a 265 + DP6 makes great sense.

However, you should follow ASAP with a good pair of stepup trannies and a LOMC. HOMC's and MM's simply don't cut it at this level. A good LOMC and trannies will set you back another $3K or more, but a 265 and DP6 are certainly good enough to take advantage of them.

If you can sell your spouse on the 255 then I'd go for that plus a DP6. This would leave more money available to put toward a better cartridge.