Tenor Hybrid v. VTL MB-450 Sig.


I am planning on replacing my VTLs with the Tenor stereo 150 hybrid . Since I will not be able to hear them first and since they are a substantial outlay over what my VTLs are worth, I am hoping that some of you may have heard both. Would you mind characterizing the differences that I should expect to hear? I have Merlin VSMMs, a First Sound preamp, and an Audio Logic 24mxl DAC. Other amps that I am considering are the Joule VZN-100s, or a CAT JL2. My pre-purchase buyers remorse is that they will be better but maybe not commensurate with the extra cost. I am aware of the higher cost/diminshing returns reality. However, from what I have read, these hybrids seem to be a huge step up. If I audition a piece and hear an improvement that meets my personal cost/benefit ratio, I buy it. So, with no personal experience with the Tenors, I am finding it is a bit difficult to make the leap to buy the most exp. piece of gear in my system. Any input you may have is greatly appreciated. By the way, JTinn and I have had several conversations about this subject. He had been very helpful and generous with his time. In this post, I am looking for more of a comsumer point of view.
brooksl

Showing 3 responses by bpwalsh

Being familiar with rcrump's and rhyno's systems, I'll throw out a couple of thoughts, biased as they may be.

The Merlins excel at what they do, portraying a detailed, musical image, revealing much of the character of the associated equipment. They are most commonly suited to smaller rooms, as their capabilities for moving a lot of air are limited. They work well with music associated with smaller ensembles, such as small jazz and folk groups, as large symphonic works can reveal their limitations. That said, they are still very good speakers. I admire Bobby P's dedication and persistence in refining his products over the years.

The requirements of hefty amplifiers for Sound Labs are about to go away, as Sound Lab demonstrated a pair of Ultimate-1s at CES implementing some new technology realizing significant gains in efficiency and dynamics. Driven by some 100 watt solid state monoblocks, they had no trouble reaching adequate levels despite the lack of a preamp which was held up in customs...they had to make do with a CD player putting out only 0.7 V into the amps which require 1.3 V for full output. With the right preamp driving the amps the sound would have been much fuller and more dynamic. Anyone wanting further information on this can contact me offline.

Brian Walsh
I've really enjoyed reading this thread (or 'string' as Bobby calls it :-) and got a lot of laughs. Sounds like a bunch of guys with some different priorities and different ways of hearing things, but guess we're all after the same thing: music enjoyment. Particularly enjoyed Zaikesman's 'soup Nazi' quip and appreciate Bob's and Bobby's contributions, however diverse they may be. Jim2, you might want to lighten up just a touch, nobody's attacking you or your system.

Brooks and I had a fun chat yesterday, and we'll get together as he can check out a few things in his quest for the best. Meanwhile, I look forward to more helpful ideas to be posted.

Brian Walsh
Tubegroover, I didn't mean to sound condescending toward Jim2 nor to anyone else and apologize if I did. Truth be told, and Bobby knows it, I enjoy visiting his room at CES each year to play some tasty vinyl cuts...always fun... Some of my customers have Merlins, and they are treated with the utmost respect just as everyone else is...

Brian Walsh