Telarc recording quality


I have several Telarc CDs, some classical and some jazz, the jazz being mostly Tierney Sutton's recordings. I am always amazed (and delighted) at the quality of the recordings. Sutton's CDs, in particular, are clean with an immediate sound, so to speak, as well as being superbly balanced and focused.

What is it that Telarc does so well that others don't? Or, are my ears really screwed up?!
128x128cpdunn99

Showing 1 response by frap

When thinking back through the Telarc classical catalog, the impressions I got, were one of a mostly natural, yet uninvolving sound. The somewhat heavy bass was at first a joy, after the bass shy DG and Columbia productions of the day, but other than some very fine initial productions (Fennell /Holst; Atlanta/Orff), I felt the musical sound uninvolving and blunted. This was somewhat ameliorated with the use of very fine M/C cartridges, but the effect never really went away even on CD.
When looking back through history at Telarc, Yes they were and are a major player, but not quite as good as they could have been. They should have kept the analog rig they used when they were ADVENT Records in the 70s recording Michael Murry. Now those were fine sonics.
All in all, Rcprince's comments , are mostly accurate.