Technics SP-10 Tonearm Pod instead of Plinth/Base


Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa

Showing 8 responses by macrojack

I have an SL-1000 MK II. That's an SP-10 MK II in the original Technics obsidian base. What is wrong with it and what improvements would I be seeking by changing to slate or some other material? I have read threads like this often but have never yet been prompted to try something different. Part of this is a respect for the integrity of the original design and part is skepticism. If Technics was able to build one of the finest turntables ever made available, would they not have provided a very suitable base? Would they not have experimented with many materials and different masses? When this turntable was offered it was extremely well funded and very capably engineered from a cost no object perspective. What did Technics do wrong?
Mine just says SL-1000 MK II on the back but I think it must be an SH-10B3 according to your description. If mass is the key, perhaps I should just remove the feet and bolt it to the credenza on which it sits. That would add at least a couple of hundred pounds.
Thanks, Lewm. It really is that simple, isn't it? This whole audio thing seems to be fueled by a self-conscious dissatisfaction. Why are we never happy for long? Why the drive for more, more, more always?
Lately I've come to believe that we are treating the wrong end of the equation. Instead of constantly trying to modify our systems to please us, wouldn't it be easier, less expensive and less frustrating to simply change ourselves and our expectations. Perhaps the glass really is half full.

I'm currently using 1973 issue JBL speakers, a Kenwood KT 917 tuner and this Technics table with a Denon DL 103 cartridge. My horns could have been built in the 1930s. All of these items stand very tall in comparison to this months review items. So why the push to modernize? Why the belief in the latest and greatest? Why not just settle in and enjoy what we have? You know as well as I do that it's pretty damn great. There will never be a last nth.
Thanks, Weisselk, but it's too expensive for me even with the waterjet technology. By the way, are you related to Black Elk?
Thank you, Jonathan. Any idea when Ferrari will be introducing their Direct Drive?
The SP-10 MK 4 would have to sell for $20,000 or much more and would therefore only sell a couple thousand units at best. Companies like Panasonic are not interested in offering products with such limited appeal.

The original high end tables were statement pieces inspired and funded by a burgeoning turntable business that was selling millions of low end units. Those days will never return.
Business is all about returns and there is simply too little upside to justify the necessary outlay.

Kevin at KAB told me that the motor is what keeps the SP-10 performance beyond the reach of anything that could be done to improve the 1200.

You have to understand that all of the high end audio sales worldwide in the last ten years wouldn't add up to a good month at Panasonic. We are a small niche market. When the classic, direct drive statement pieces were manufactured, stereo was a growth market and every family in America was buying a sound system. These were comprised of two speakers, a receiver, a turntable, and sometimes, a cassette deck. Variations on this standard existed but they were statistically insignificant until the 1980s when high end audio began to erupt. As this was happening, CD was being introduced. After just a few years, the L.P. had been pushed aside by the recording industry and turntables went with it. The small resurgence we are seeing now will never grow too much but I like its chances better than what CD is looking at.
Downloads are killing it.

So your best bet is to offer me an unconscionable amount of money for my SP-10 and modify it as you see fit. I'm not presently planning to sell but my head can be turned by figures.

Just trying to maintain useful perspective.
Lewm - You raise an important question. Supply and demand will certainly dictate the value of these devices. Right now interest is fairly high because the tables are sorta scarce relative to the number of us who think we want one. As we leave the scene, will we be followed by younger people who want these? I tend to doubt that there will be anything approaching one to one replacement in the U.S. Possibly a lot of our stuff will be bought up by aficianados in other parts of the world.
Or maybe Google will manage to have non-digital media outlawed worldwide.

For now, I'll keep spinning a few discs a week and let the gray get white and whiter until it all falls out.