Technics SP-10 Tonearm Pod instead of Plinth/Base


Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa

Showing 3 responses by jsadurni

I have such a setup, I got an Sp10, I took out the plinth, given a cheap one, but it was like taking the bell out and leaving only the little metal ball inside it.
I made a pod for the tone arm with 3 different metals and it is pretty heavy, trust me it wont move. The Sp10 is sitting on its own with no plinth at all, I have cones holding it from the original chassis, we actually discussed even taking the chassis off.
The improvement was impressive, in micro-level detail and air around the instruments.
Isolation is very important and the cones that support the SP10 can change the tone of the setup, for a tubed Phono preamp I like solid steel cones, for SS I use the famous Audio Technica Support Isolators with metal cones. Actually my favorite sound came from a combination of cones.

The Pod base stands on cones also, that improved the sound a lot also.

I dont want to rub the people with plinths the wrong way, this is my private setup and I like it, my system consists of triamplified 5 way horns.

Check out theanalogdept.com/stefano_bertoncello setup, he uses a Garrard with a Pod also.
About the Theory of Mechanical Linkage of the TT chassis against the tonearm, in my point of view, less vibrations are better than "joint" vibrations. Now to theorize here seems a bit ridiculous but any way I will give it a go: To have a synchronized vibration could work in order to lets say minimize the sum of vibrations, but this would mean that both the Tonearm and the TT are at the crest of the vibration at a given moment and at the valley, in complete synchronization, if one is at the valley and the other at the crest then it is better to have them Isolated, in a separate Pod. Now, in music we know vibrations are in a lot of frequencies, not only at one, so to have a synchronized movement that would annul the vibrations in all frequencies seems a bit complicated.

This would be theorizing on a result I found in practice, I dont know how valid that could be since we could also theorize on the contrary.

Practically I like it better.
I dont think it is a question of who is right and wrong, This is a wonderful Turntable exceptionally well engineered, it was designed for professional use mainly in a radio station, what you need there is precision and reliability, for a High End Turntable you need only good sound, In High end we dont care if your power supply is ready to explode or your cables can catch fire at any moment, or if your speakers barely fit in your room, we just care for sound. I dont think a separate Pod could be fit for a radio station.

Audi uses the same engine for a station wagon and for a sports car, the difference is on the application and what you need it for, you want to carry 3 kids or you want to go fast!

A lot of High end TT do have a separate Pod for the tonearm, and on the SP10 in my experience the comparison is not even close, plus it is very easy to implement, try it out and let us know your opinion.