Technics SL-1210GAE Anniversary delivery .


In July the 7th I ordered the new Technics SL-1210 AEG anniversary edition from an authorized dealer . ( and paid for it )They said I could have it at the end of July, later they moved the date for mid August , and again the delivery was moved to the end of August.  Today, I got  a message saying :  “We just received notification that Technics pushed the delivery of the SL-1210GAE turntable to the end of September.”Does anyone know if that is accurate?  any useful information?
vinylnostalgic

Showing 2 responses by tandh12

@vinylnostalgic

I've not seen any reviews, but I've owned one for the past 8 months so I can give my thoughts -- obviously anecdotal / subjective (even more so because it's the first deck I've owned in 30 years so I don't really have anything to go on when it comes to comparisons. What I can say is that it's very well built and feels every one of its 40 pound mass. The first thing I noticed when I lowered the arm for the first play was just how very well isolated this deck is compared to my last one. I have mine sited about 1 inch from my left floor standing speaker (due to space limitations) and there is zero transmission of vibration to the cartridge cantilever from either the speaker or the floor. You can dance right in front of it -- and nothing, nada, gets picked up (it probably helps that my carpeted ground-floor listening room has a concrete floor). The only vibrations I can hear are music ones caused by the stylus being dragged along the record grooves. Apart from installing the cart, setting the tracking weight, anti-skate bias and arm height; it's pretty much plug and play but I am sure you could do upgrades / mods if you were so inclined. I could do without all 'DJ' type platter speed controls/sliders, LEDs, lights / strobes etc but they don't really bother me or detract from performance (get a VPI or an LP12 if you feel otherwise). I really enjoy the sound it puts out. Highly, highly musical. I much prefer it to my digital sources. Appreciate, that's of little use to those who need to know how good it is as a turntable per se as it maybe just that my ears really like the sound of vinyl. I've found rock titles like Fleetwood Mac's Tusk, Blondie, Tom Petty, Led Zeppelin etc, etc (all purchased new 2020-2021) etc, etc sound phenomenal. Vocals, treble, midrange, bass, dynamics, detail - all spot on for me. It's warm yet not warm as the midrange and bass are fast and tight. With classical I'm not as convinced although I have only one new classical LP -- Berlioz (and a lot of very old ones from the 1970s that look ok, but sound beaten up. They all sound a bit harsh -- bright / sibilant / metallic -- more like what I associate with a CD-type of sound. It could be that the recordings I have are not good or are from digital masters (I do believe classical recordings need to be of the highest quality, and preferably pressed from the analogue original).

Hope this is of use.
Thank you Chakster. That is fascinating & I stand corrected.

Those pitch anomalies you describe explain why I hear some classical recordings as sounding ‘off’ - but others so ‘right’ (when by chance the pitch matches that of the original orchestra).
I don’t own a piano and even if I did am not at at all confident I’d be able ‘tune’ the pitch of a record with it as I don’t have a musician’s trained ear. However, I may just try playing around with the pitch on a few records to see if I can, by ear, hit that ‘sweet’ spot. (If anyone is interested; one of those ‘right’ records that stirs the emotions & makes the hairs on your neck stand up is Stuttgarter Kammerorchester’s Masterworks of the European Baroque conducted by Karl Münchinger).