Well i'll post the first contrary opinion. I have heard a TD12, and a few Tannoy Prestige speakers, including a Westminster Royal. Each of these speakers was fitted with the Tannoy super tweeter. I did not like any of them.
Just a note - the owner of the Westminster Royal indicated to me that he had the crossover settings wrong on the day that I visited. So I will exclude it from my comments until I get a chance to listen again. My comments are based on the Glenair, Turnberry, and the Kensington.
Tannoy Prestige speakers produce a very pleasant sound - warm, inviting, and comfortable. It is a very easy sound to listen to, a bit like an old wine which has lost its aggression.
However, when you want to really hear what is going on, the speakers fail. They simply fall over when asked to present complex orchestral works. Suppose I want to analyze what the cellists are doing in a Wagner piece. The Tannoys will not allow you to do that.
The romantic coloration of all pieces does not work with most types of music. The speakers have the effect of slowing the music down and giving it a bit more bloom. I wonder if cone breakup is the culprit - being such a large dome, and being asked to handle such a wide frequency response.
wrt the 3 speakers above - the Glenair seems to have the most coloration, and the Kensington the least.
Just a note - the owner of the Westminster Royal indicated to me that he had the crossover settings wrong on the day that I visited. So I will exclude it from my comments until I get a chance to listen again. My comments are based on the Glenair, Turnberry, and the Kensington.
Tannoy Prestige speakers produce a very pleasant sound - warm, inviting, and comfortable. It is a very easy sound to listen to, a bit like an old wine which has lost its aggression.
However, when you want to really hear what is going on, the speakers fail. They simply fall over when asked to present complex orchestral works. Suppose I want to analyze what the cellists are doing in a Wagner piece. The Tannoys will not allow you to do that.
The romantic coloration of all pieces does not work with most types of music. The speakers have the effect of slowing the music down and giving it a bit more bloom. I wonder if cone breakup is the culprit - being such a large dome, and being asked to handle such a wide frequency response.
wrt the 3 speakers above - the Glenair seems to have the most coloration, and the Kensington the least.