Tale of the preamps


I ahave recently been bitten by desire to add greater detail to my system. I believe the musicality offered via Jadis JP80MC pre may be limiting frequency extremes and inner detail. I own CAT amps and Eidelon...I believe neither of these components are lacking in bottom extension nor well defined presentation. I have owned the Jadis for 5 years or so, with no desire to surrender the music for hi-fi. But....a friends system, Eidelons/Atmasphere MA1s/Wadia exposed an inner detail which gave birth to a new itch. The CAT ultimate has been strongly suggested, but some comments allude to a cerebral rather than visceral interpretation. Any suggestions, especially from those who may have heard the Jadis are appreciated. The world of give and take.
siddh

Showing 3 responses by siddh

HI Rcprince,

Thanks for input. I have read the opinions of others with similar experience when the Jadis is modified. When I spoke to Andy he expressed his admiration with this piece, but added the changes were neccessary to attain a clearer, less colored picture. Apparently, he no longer involves himself in such endeavors. Have you knowledge of anyone who does? How expensive was the modification, and are you at all concerned with Jadis policy regarding warranty? Obviously, at 9 years not much is left on warranty, but Northstar seems very accomodating. Lastly, how great an improvement have you realized with the mods? Have you had any long running experience with the Ultimate? Rumor has it, CAT manufactured the Ultimate to emulate the musicality of the JP80 without sacrificing detail or frequency extension.

Thanks again for your shared experience,

Steve
I had my friend, with the Atma-spheres drop by tonight. We listened and found the force...or better stated, the solidity, especially in the upper bass through midrange, more pronounced with the CAT/Jadis. In iteration, the definition and articulation does sound tampered with. Minutely muddied, but muddied none the less. As if, attaining the music AND the inner detail must maintain a state of juxtaposition. The physics involved may limit the two co-performing on the same stage. This may offer some explanation as to why some solid state has moved closer to tubes while some tube designs have evolved into units of greater detail.

Gregm, your point is well taken. The music should and must be the foremost objective. Unfortunately, when listening to live music, even when set way back from the orchestra, the body of the instrument's output clearly expresses the tiny nuances. It's not hidden, nor need it be searched for. It comes part and parcel....a most basic and essential element. So sacrificing the often taken-for-granted detail for over-all musicality, somehow creates an innate dichotomy.

Cable hopping I don't believe can resolve, but merely mask or re-interpret. Fine thought, Rushton. Not only are the amps an added variable, the front ends also differ. And, of course, listening rooms. Jman, your suggestion may be the course to pursue. Without trying the Ultimate it will stand only as theory.

Thanks to all. I am interested to learn of your theories regarding this apparently elusive "absolute sound"

Steve
John,
Thanks for the website info. I intend to contact them this weekend. The majority of my listening is vinyl, thus the need for a quality phono stage.

I have little experience with ss pre's other than at audio shops. Detail in spades, but often on the analytical side. I am also a freak on imaging and depth of sounstage. Good tubes create a body I have not heard captured by ss.

John, let me know how you love your Versa table.

Steve