TACT RCS 2.0 Users Group


I've recently purchased the TACT RCS 2.0 unit. As I've been wrestling with getting the optimum performance out of it, I keep thinking there must be other owners out there that have ideas to share, as well as those who could benefit from what I've learned.

I was hoping this thread would provide a forum to introduce us to each other.

Anyone interested in sharing what you've learned?

I for one have found the unit difficult to get a true grasp of how to optimise, but once learned, it has produced the best sound of any component I've ever added to my system. My system currently consists of a Sony SCD1 to the TACT 2.0 RCS with internal DAC and D/A converter. Signal is then fed from the TACT in analog format to my Art Audio Jota and then to the Avantgarde Duo Hornspeakers.
I'll start by stating I've found the suggestions in the TACT documentation for speaker placement to be contra to good sound. I've gotten the best results by using George Cardas's Near Field logic and using the TACT Nearfield target curve as the beginning point to custom build my personal target curves.

This resulted in a sound stage this is awesome and the clarity of the frequencies is without compare in my experience.

However, it took over 100 hours of experimentation to reach this result - a lot of lessons learned. At this point, I feel I know just enough to be dangerous!
tao

Showing 6 responses by drubin

Now that I've had the RCS 2.0 in my system for two days, I want to chime in and echo everyone else's enthusiasm. At this early point, it seems to me that the TacT truly dwarfs a lot of other "significant" upgrades I have made. Cables, power cords, PLCs, isolation products, they're all minor league by comparison. I think it is an even bigger upgrade than SACD, though of course SACD is moot in an RCS system. The world needs a great, affordable A-D converter now!

Something I find curious is that many previously bad-sounding recordings are now rendered quite respectable, if not downright excellent. For example, Beth Orton's Central Reservation, one of my favorites of the last few years, always sounded bleached and hazy. Now it sounds most definitely like music, with plenty of tonal color. The improvements in the "poor" recordings are more dramatic than the improvements in the audiophile stuff. Why would that be so? -Dan
But why is there not also significant musical info in those same frequency bands on "good" recordings?
I am in complete agreement with you on the Fletcher-Munson thing, 1439bhr. The high end has eschewed equalization for good reasons, but if Fletcher-Munson is true, we are giving up a lot for the sake of purity of signal. I happen to listen mostly at lower levels. Am I trying for Fletcher-Munson compensation in my choice of components? Could be.

As I understand it, F-M compensation varies by volume. So an F-M target curve for 80 db would be different from one for 70db. Can of worms. If the software could adjust variably for volume, now that would be something!

Which raises another question. Is the volume of the system at the time of TacT measurement something to be concerned with? The TacT literature suggests not, but I wonder. With no preamp in the system (using the TacT as the only preamp), the test signal is pretty freaking loud. Should it be calibrated to normal listening levels (can it be?) or does it not matter?
In the Users Group spirit of this topic, let me pose a few questions to those with some experience under their belts. As a new TacT user, I'm bursting with questions.

1. Which of the taget curves have you found most to your liking?

2. Are you finding that the supplied target curves do the job, or have you ended up editing to make one of your own creation?

3. Are there any tricks to the measurement process that users should know about?

4. It's very easy to take a measurement and fit a curve. What do you recommend as the next step or steps to get more out of the system?

5. Do you find you need to re-measure every time you try a new component, such as an interconnect, for example? (I wonder what the TacT can teach us about the nature of component differences.)

I'll stop there. I think a true on-line users group would be an excellent idea.

Dan
If you can, hang on to your BAT preamp for a while and try it in and out of the system, see what you think.
Audioguy123, can you give a general description of the TacT's variation from target correction (which frequencies, how much, etc.) in your experience of measuring it? Thanks.