One thing that's steered me away from digital room correction is that it's only going to be correct for one spot. Isn't this more or less true?
I have a room that is essentially completely open (open-concept house) with a high, sloping ceiling. No room modes at all, really. NOW, I know this doesn't mean I don't have freq. response abberations from room reflections. However, over all, it's a very nice sounding room - untreated.
Are there those who feel that these devices are still a major boon in such a situation?
The buzz around Tact has always sounded a little too much to me as hype, furthermore. If it were so revolutionary wouldn't you see more manufacturers using them at shows and recommending them? Or is that a naive question?
I have a room that is essentially completely open (open-concept house) with a high, sloping ceiling. No room modes at all, really. NOW, I know this doesn't mean I don't have freq. response abberations from room reflections. However, over all, it's a very nice sounding room - untreated.
Are there those who feel that these devices are still a major boon in such a situation?
The buzz around Tact has always sounded a little too much to me as hype, furthermore. If it were so revolutionary wouldn't you see more manufacturers using them at shows and recommending them? Or is that a naive question?