Tables That Feature Bearing Friction


I recently had the opportunity to audition the DPS turntable which, unlike most tables, has a certain amount of friction designed into the bearing. This, when paired with a high quality/high torque motor, is said to allow for greater speed stability--sort of like shifting to a lower gear when driving down a steep hill and allowing the engine to provide some breaking effect and thus greater vehicular stability. I am intrigued by this idea and was wondering what other people thought about this design approach. Are there other tables which use this bearing principal? One concern I have is that by introducing friction you may also be introducing noise. Comments?
dodgealum

Showing 5 responses by t_bone

I thank all the participants on this thread for sharing their knowledge and experience. Sitting on the perch of not being willing to build my own TT, and not being willing to spend ultra-bucks to buy someone else's summum, and being quite happy with what I have, I am very happy to hear a variety of opinions and experience because I am learning a lot from the discourse. I think if EVERYONE took a step back, they might learn something. Because people are coming at this from different perspectives, they seem to be getting their noses bent out of shape. Almost everyone here except Dertonarm is coming at this from the side of what is commercially viable (either because they need to make something commercially viable, or because they need to buy one which is made by someone else). Dertonarm is coming at it from a different angle.

Years ago, I read the Teres Project archives. They were extraordinarily enlightening to me at the time. I found dissenting opinions, and well-meaning hypotheses which turned out to not work, but in the end a lot of openness to challenging the existing ideas in order to create something better. In the end, those better ways were created (and I would suggest Chris Brady and recent Teres model purchasers believe the Teres Project results are still being improved upon) through hypothesis and trial. The results were that through astute selection of materials and drive system, an excellent TT could be built which was less expensive than the otherwise self-declared state-of-the-art. I would assume that subsequent models higher up, which garnered much praise by people with great systems improved upon the first renditions. It is obvious through Chris' assertions here that he believes his new DD system, and perhaps others', improve(s) upon those highly-praised BD TTs). I am sure they do. The fact that they are still being improved upon means that everyone is finding better and better ways to skin the cat. Dertonarm's main point is that the cat is still the cat (unless, of course, it is Schrodinger's cat, in which case, it may not be), and that there must be a 'best way' at some point (assuming that everyone's measure of 'best' is the same).

I think that Dertonarm will not deny, disavow, disagree, or demean anyone's opinion that a given DD motor driving a high-mass platter can sound better than a given belt-drive high-mass platter system. I am pretty sure that what he is saying is that he has not found it to beat his belt-drive high-mass platter and he has found the compromises in the DD method to be greater than the compromises in HIS BD HM system. Dertonarm has, in every thread, refused to comment on what he thinks sounds better (partly because it is beside the point I expect), but consistently appears to be looking for someone to provide technical input or results rather than an opinion or the result of System A having been better than System B (which is not so much a demonstration of physics as a demonstration of implementation). Trying to critique his results as invalid because he still finds compromises in it is also beside the point.

So far, the fault I find in Dertonarm's discourse is the assertion that DD or idler drive would not work with "highest possible platter weight" and using "high inertia for self-stabilized speed." It may be right, it may be wrong. It is, however, not defined nor supported. If there is a mechanical slippage system (slipping belt drive) there is, by definition, a compromise. In my opinion, the PERFECT implementation of a TT would not use mechanical slippage. It would also not depend on electromagnetic slippage. In a perfect system, it would be pure 100% speed-stable drive. I am assuming his assertion is based on his experience that mechanical slippage may be a smaller compromise than building a system of electromagnetic slippage with no mechanical slippage. In any case, let's see the technical reason why such is the case. I, for one, would expect that one could build a very very good DD HM system given enough time and enough resources - though in the end it comes down to motor speed/torque stability and whether that stability is greater than the speed stability offered by a 'clutch' system of thread slippage.

While Dertonarm's conclusions appear to be 'dogmatic' to some, they appear to be the result of trial and experience. His tone may be dry, and that seems to antagonize some people, with somebody now suggesting he has an 'agenda' (similar to the way some people 'have an agenda' with tubes and OTLs, and others with single driver loudspeakers?). I personally do not see 'constant demeaning of dissenting opinions' so much as I see challenges to demonstrate that opinions are backed with technical results. I am sure that if someone could prove that a DD with high mass platter had better speed stability than a thread drive, many would be interested (including Dertonarm). It just happens to be that while some people profess that such a thing is possible and they have heard it with their own ears, someone else thinks it is still a method with less accuracy than is available than through what he has done himself.

I would encourage everyone to look at these discussions the way they might if they had participated in the Teres Project Archives email exchanges. There is nothing wrong with dissenting opinion (and I for one do not see Dertonarm's commentary to demean dissenting opinion), but Dertonarm's whole point is that he is striving to improve upon what exists, not prove that one existing thing is better than another. His question to all is whether anyone can demonstrate that one method is, in a technically definitive way, superior to another.
Frank, I for one hope you do not regret chipping in. I always enjoy reading your informative posts. As to your last point, I completely agree that in coming up with a commercial product, there are always compromises - it cannot be otherwise as there is always the cost factor (and while I agree with your comment about not everyone designing to a price point or saying 'that'll do', unfortunately, that is inherent in some way in every compromise). As to your point about belittling people, I did not see it that way so much as I see people having two conversations which don't mesh. Most people in the real world and Mr. D in the theoretical. I, for one, am not at all convinced Mr. D is right (though I would love to listen to the table he created) about high mass BD (even though my preferred TT at home is a HM BD with slipping thread drive). I expect DD is probably 'better' because I expect it is easier to control the electromagnetic slippages than the mechanical ones. However, this is based on a total lack of experience doing it myself so I for one, encourage real, technical discourse.

A last technical question to you, Frank:
If you put in opposing pulley/threads, why would all 4 resonate at the same frequency? Would not the drive (pull) side have a different tension than the 'lag' side - thereby making same resonance on 4 strings impossible?
Frank, thanks. My understanding, from Mark Kelly's interesting writings on the subject, is that no matter the tension, some kind of slippage is, by definition, necessary; and that slippage induces differing tensions on either side of the platter, by definition - or perhaps I misunderstood his various writings - I would not put it past me :^)

I am intrigued by your pulsed air and finned/winged/etc underside of platter concept. Personally, I would expect substantial cogging potential from the airpump power supply, and other sources, so would (not being burdened by any practical experience in the area) avoid intentional pulsing. I would expect that running the pulsed supply through a series of buffer tanks would get you to your constant air stream with more accuracy, and if you ran that through the same 'toothed' underside which had a very tight tolerance for the space between the downward-facing 'top' of the tooth and the upward-facing air inlet area, it would serve to pulse the air as well, but as long as the air-pressure post buffer tanks were constant, and applied at several (or more than several) places under the platter in regular syncopation, it would go a long way towards lessening the impact of variations in the air pressure coming out of the tank, and if it was a high-inertia floating platter, the 'teeth' could be oriented to receive air pressure which would self-center the platter. The amount of air pressure necessary for the drive system would actually be quite low. One could set it up so that the platter got to speed through some other system, which was then clutched 'off' when the air pump took over. I guess the question is how one would 'brake' the platter using that system, other than using its own inertia, if one needed to...

As to your non-rhetorical question, my gut is that the qualitative differences between DD-PLLs with light platters and the best of the other types with heavy platters may have to do with the audibility of the speed of speed correction, which is where the inertia comes into play...

In any case, have fun in virtual reality
Lewm, regarding my belief in Dertonarm's contentions... if you look at the first paragraph of my second of two consecutive posts above, I state...
I, for one, am not at all convinced Mr. D is right (though I would love to listen to the table he created) about high mass BD (even though my preferred TT at home is a HM BD with slipping thread drive). I expect DD is probably 'better' because I expect it is easier to control the electromagnetic slippages than the mechanical ones.

Regarding Chris Brady's DD TT... in paragraph two of the first of those two consecutive posts, I state...
It is obvious through Chris' assertions here that he believes his new DD system, and perhaps others', improve(s) upon those highly-praised BD TTs). I am sure they do.

I, for one, would love to have the chance to listen to that TT. I am sure it is fabulous. All the anecdotal evidence points to a conclusion that he has made one of the top commercially available TTs out there. But your next point:
Rather, these are good data that have to be explained.

is the crux of what I was trying to get at. I believe that Mr D's point is that anecdotal evidence of one or two commercially available TTs sounding better than another couple of TTs is fine, wonderful, and nice, but beside the point. He has asked for technical arguments WHY DD should be less of a compromise when attempting to create the perfect TT and so far noone has come up with the technical arguments, the physics, or experimental results detailing why that should or could be so. I think he would welcome the philosophical debate. I know I would.

And yes, I think the escape clause for most of us will be to say that we haven't heard the best BD TTs or DD TTs out there. But again, for Mr D, that is beside the point. I may not agree with his assertion that high-mass thread-slippage BD TTs are the best method to approach perfection, but I have no science or experimentation to back up my disagreement, so instead I hope to learn.

Cheers,
Syntax, I think the electronic standard is probably best simplified, at a minimum, to mean making input and output impedances fall within a certain range for every component downstream of the amp's inputs, and making source component output voltages within a certain range. Trying to get speaker mfrs to all provide a flat frequency response curve and impedance curve, and to all jump on the 'power paradigm' is kind of a lost cause.

As to your other point that customers want more than just 'good sound' (they want a certain look, cachet, convenience, hype, or exclusivity), I am convinced it is true, which is why having a designer create a "definitive" component is effectively a lost cause too.

OTOH, I have some really great pieces of wood on a string (limited edition (exlusivity), coming in their own signed paulownia box (cachet - looks), which I am certain will be popular (hyped) after the first few people buy them, which I can sell for even less than $6k, shipping included (convenience). Inquire within :^)