Superphon Revelation II Preamp with Phono Stage


Can anyone make a suggestion to finding a perfect mate for the Superphon Revelation II Preamp with Phono Stage?

I am speaking of a power amp that would go well with this pre amp.

I hooked it up to a Counterpoint SA 100 power amp and it’s just too much power amp for this pre amp.

The Lazarus Cascade Basic works like a charm when combined with the Counterpoint SA 100 power amp. Any suggestions would be appreciated. 

The Lazarus works so well because of the right and left attenuators for HiFi application. 

This Superphon is ideally suited for stereophonic reproduction.

sugomania

Can anyone make a suggestion as to finding a perfect mate for the Superphon Revelation II Preamp with Phono Stage?

I am speaking of a power amp that would go well with this pre amp.

Rsfphil , you have answered my question as far as why this is not a good pairing. 

Can you make a suggestion for a power amp that would work well. 

The combination of the Lazarus Cascade Basic pre amp, ( which I had upgraded by none other than George Romero, himself, to a premium quality ) paired with the Counterpoint SA 100 is a match made in heaven as far as HiFi reproduction is concerned. I use the volume control as gain and the R and L attenuators act as separate volume controls for each speaker; plus right and minus left.

I have an Ella Fitzgerald album with Stan Getz and a small ensemble of jazz musicians which was recorded in HiFi and it just sounds great when I switch over to  plus right and minus left on The Lazarus pre amp. 

The album is titled Like Someone in Love.

Can anyone make a suggestion as to finding a perfect mate for the Superphon Revelation II Preamp with Phono Stage?

I am speaking of a power amp that would go well with this pre amp.

Rsfphil , you have answered my question as far as why this is not a good pairing. 

Can you make a suggestion for a power amp that would work well. 

The combination of the Lazarus Cascade Basic pre amp, ( which I had upgraded by none other than George Romero, himself, to a premium quality ) paired with the Counterpoint SA 100 is a match made in heaven as far as HiFi reproduction is concerned. I use the volume control as gain and the R and L attenuators act as separate volume controls for each speaker; plus right and minus left.

I have an Ella Fitzgerald album with Stan Getz and a small ensemble of jazz musicians which was recorded in HiFi and it just sounds great when I switch over to  plus right and minus left on The Lazarus pre amp. 

The album is titled Like Someone in Love.

Can anyone make a suggestion as to finding a perfect mate for the Superphon Revelation II Preamp with Phono Stage?

I am speaking of a power amp that would go well with this pre amp.

Rsfphil , you have answered my question as far as why this is not a good pairing. 

Can you make a suggestion for a power amp that would work well. 

The combination of the Lazarus Cascade Basic pre amp, ( which I had upgraded by none other than George Romero, himself, to a premium quality ) paired with the Counterpoint SA 100 is a match made in heaven as far as HiFi reproduction is concerned. I use the volume control as gain and the R and L attenuators act as separate volume controls for each speaker; plus right and minus left.

I have an Ella Fitzgerald album with Stan Getz and a small ensemble of jazz musicians which was recorded in HiFi and it just sounds great when I switch over to  plus right and minus left on The Lazarus pre amp. 

The album is titled Like Someone in Love.

You could use set of Rothwell attenuators. They work extremely well.

http://www.rothwellaudioproducts.co.uk/html/attenuators.html

"Although the attenuators can be used on the inputs of the pre-amp in exactly the same way as they would be used on an integrated amp (with the same benefits), alternatively they can be used between the pre-amp and the power amp to even greater effect. When used this way, not only is system gain reduced by 10dB, but the signal to noise ratio is improved by 10dB. This pushes the noise floor down enough to create an inky black silent background from which the music can emerge with better resolved fine detail and transparency".