Sub Question. One higher quality sub or two lesser quality? (Rythmik vs HSU)


I have narrowed my choices to one Rythmik Audio G22 Dual 12" subwoofer or two HSU Research ULS-15 II. I am trying to keep my budget to under 2K. I like the fact that the Rythmik is servo controlled and seems to be of higher quality. But I also like the thought of two subs vs one.

What say ye, Audiogoners?

Oz



128x128ozzy62

Showing 4 responses by noble100

Hello Ozzy,

     You know that I know that you know the answer.  Two subs will perform about twice as well as one sub in virtually any room, including yours.  Two ULS?-15 mk2s would perform very well and, according to their website, they're within your budget:

$739 each with $85 s/h=$824 each/shipped
2 x $824=$1,648

     Here's the link:
  http://www.hsuresearch.com/products/uls-15mk2.html

Am I missing something?
   Tim
mapman:
" I see two speaker outputs on the Dayton.  How does that work to drive 4 subs?

Hello mapman,

     It's actually 2 pairs of speaker outputs on the Dayton sub amp.  I have a front pair of subs connected to the top pair of outputs and the other pair of subs connected to the bottom pair of outputs.
     The connection method of the AK Swarm and Debra systems' subs are also a bit unique as all 4 subs are connected in series/parallel  configuration.

Tim 
    

      Yes, I use the Dayton SA-1000, that Duke mentioned, in my AK Debra 4-sub DBA.  It's been on virtually 24/7 in my system for over 5 yrs now and still is performing flawlessly. 
     A good option is to buy one of these for $300-400 from Parts Express or Monoprice and build or buy 4 passive 4 ohm subs and create your own custom swarm. The Dayton also functions as a sort of sub control unit since it has controls for volume, crossover frequency and phase along with l+r ch line level inputs and A+B sets of speaker outputs.  Its 1,000 watt class AB amp has plenty of power to drive four 4 ohm subs and its controls allows for the setting of all four subs together as a group.
   Another method many use is the MiniDSP,  which has a single set of analog L+R line level inputs and up to 4 L+R analog line level outputs to connect up to 4 self-amplified subs.  This unit also has settings for volume, crossover frequency and phase plus the capacity to customize the crossover filter slopes.
    There's many ways to skin a cat.  No matter how you do it, however, the cat can be relied upon to protest vehemently and loudly.

I've never skinned a cat as far as you guys know,
Tim
mapman:" If you have large full range speakers that go down to the mid 30s, if you add subs, you need larger ones that deliver output below that range in that there is little to gain to start with otherwise and you don’t want to merely add to the frequencies already there.

Hello mapman,
     Your statement generally makes sense to me but only if the bass sound waves down to the mid 30s, that are being launched and reproduced by the pair of large full range and properly positioned stereo speakers, arrive intact at the listening position and are perceived as good quality bass. 
     It's well understood by acousticians, and has been proven scientifically, that deep bass frequency soundwaves behave very differently than midrange and treble frequencies behave in a given room due to physics.  Full cycle, or complete cycle, deep bass soundwaves are omnidirectional in their radiation patterns. are very long (a 20 Hz full cycle soundwave is 56' long), are not localizable at frequencies below about 80 Hz and are therefore perceived by us as mono. 
     Full cycle, or complete cycle, midrange and treble sound waves, by comparison, are highly directional in their radiation patterns, are much shorter (a 1200 Hz midrange full cycle soundwave is under a foot long and a 20,000 Hz  high treble full cycle soundwave is under an inch long), typically begin to be localizable at the higher bass frequency of about 80 Hz and the sound waves continue to become progressively shorter and more easily localizable as the frequencies increase beyond 80 Hz up to the generally cited upper audible limit of 20,000 Hz. 
     This  localizable full cycle soundwave threshold bass frequency of about 80 Hz is also the common threshold at which stereo perception begins when discrete L+R mono channel signals exist and are reproduced through discrete and properly positioned L+R speakers. 
     My main point, finally presented, is that individuals typically position their pair of main speakers in the room, and in relation to their designated listening position/seat, in order to optimize their midrange and treble performance perception along with their stereo image perception.  This results in individuals rarely, if ever, positioning their main speakers in their rooms, and in relation to their LP, in order to optimize their perceived bass performance.  Individuals are unable to optimize the bass and the rest for the simple reason that the bass drivers on the full range speakers are permanently attached to the cabinet containing the other, equally permanently attached, midrange and treble drivers, and are therefore not capable of being independently positioned.
     Obviously, this creates a Catch-22 like dilemma.  I believe most individuals, formerly including myself, just position their main speakers to optimize their perception of the midrange, treble and stereo imaging at their LP and resign themselves to accepting whatever unoptimized bass performance they perceive at their LP.  Since bass performance at the LP is also known to be highly dependent and influenced by physics and the room itself, the quality of the bass perceived there is also highly dependent on the physical relationship of the main speakers to the LP.
     l  strongly believe through personal experience,  I know along with many others, that multiple independently positioned subs are a good solution to this dilemma.  This solution is very effective whether it's achieved through the utilization of as few as a pair of subs or up to 4. used with a pair of larger full range or smaller limited low frequency range main speakers and can be configured to work well in virtually any size or shaped room.
     I also don't dismiss the effectiveness of bass line arrays, open baffle, planar-magnetic or horn-loaded type subs, I just have a total lack of personal experience with utilizing these thus far.
     I also wanted to state that I believe you agree, or at least already have a good understanding of, what I discussed above.  I mainly posted for the benefit of other possibly less knowledgeable and experienced readers of this thread.

Tim