Stunned by a cable upgrade


Yesterday I received a 12ft. pair of Analysis Plus Oval Nine speaker cable and I am absolutely stunned by the positive difference they have made in my setup. They replaced a 14 ft. biwired pair of DH Labs Silversonic T-14s. I ordered these on the advice and glowing reviews of fellow members of this forum in an attempt to tame my bright system. I am currently using a Sim Audio Moon I-5 integrated, Sonus Faber Concertinos, Musical Fidelity E60 CD player and NHT SW3P subwoofer.

I must say I've never had the experience of one component making such an audible difference. The DH Labs have a very in-your-face presentation, and the soundstage is flat by comparison. Changing to the Oval Nines I was shocked how much width and especially depth were added to the soundstage. It had the effect of opening backwards like an accordian. Amazing! All the glare was gone and the music became bigger, fuller and just seemed to roll out effortlessly. So full in fact, I had to adjust my subwoofer to compensate for the increased bass and corresponding mudiness.

I spent the entire evening marveling at how the music of Robby Longley, Sunny Sumter, Diana Krall, Jesse Cook, Inscendio, Yo Yo Ma, and Oscar Lopez came to life. My gold Dave Brubeck Time Out CD had always sounded so thin, but now flowed with an ease and roundness I had never enjoyed before. Paul Desmond's sax was so real. The instruments and voices on every CD I tried seemed more lifelike and natural.

Previously, I had tried various affordable interconnects from Cardas, Kimber, Tara, Monster and DH Labs thinking this might help. While the different interconnects did change the character of the sound, the shifts were pretty subtle. A pair of Cardas Golden Cross proved to be the most effective and expensive, but the problem still persisted. It's almost as if everything was bottlenecked at the speaker cables, and now the music seems to flow unrestrained.

The DH Labs are in biwire configuration. The Oval Nines are a single run. I would have thought the biwired cables would have an edge in spaciousness, but this is not the case in my system. I had considered changing out the Moon I-5 for a tube preamp/SS amp combo hoping to cure the leaness. With the Analysis Plus now in my system, I no longer have the urge to change my amp. I'm starting to see how good the Sim Audio really is. I also have on order a Bel Canto DAC 1.1 and I hope this will reap even greater rewards.

I know this must sound like a cheap plug for a product by a manufacturer, but it's not. I'm still amazed by the transformation my system made last night, especially since both cables have been so well reviewed and are fairly close in price. Has anyone else experienced such an improvement in their setup by changing cables? And if so, what were the components involved?
gunbei

Showing 1 response by bear

I wouldn't do it that way...

Using your cables to effect a "complementary coloration is rarely a completely succesful way to go. The problem is simple, you are attempting to employ some sort of filter, and a filter can only remove information, never add. So, while you can get the overall sound to be more pleasant, and perhaps easier to listen to, it is rare that this method results in a truly "trancendental" system.

Much better is to work through your system and eliminate components, parts, and gear that is (in effect) causing the problem to begin with. Admittedly, this can be a daunting task, since everything *is* hooked together, and it is very difficult to *know* in advance what is actually "correct" and what is "warped."

IF the cable that was replaced, was replaced by an essentially "transparent" cable, *then* by all means the change is warrented and merited. But, IF this particular brand of cable is known to "smooth" out "bright" systems, then I would urge caution, and tell you all to beware.

My philosophy is to work to find the most transparent, and clean elements for my system, especially the cables, and then IF color is needed, to apply that judiciously and with purpose and control. This, rather than apply multiple colorations in an attempt to arrive back in the "center."
I've found that by striving for clean and transparent first that the ultimate results are far more satisfying and apparent.

This stands for everything, especially amps and speakers. I've never found it possible to make an average speaker or average amp sound any better than average - finding a cable that makes it listenable, is doing only that, making it listenable. Which, is not *all* bad, since listenable is better than not. However, if your system is really "tuned-in" and is really clean and clear, you'll be able to instantly hear the effects of things like a single length of new cable without a moment's hesitation, whereas in a system with "complementary colorations" you'll likely hear a change, but be hard pressed to clearly identify precisely what and where it is coming from or going to.

Of course, getting a system together like the one I suggest takes work and testing, and a bit of effort too...

_-_-bear (email me for my URL)