Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo

Showing 1 response by zagoreos

After trying various phono stages with my ZYX R100H cartridge these last months, I ended up with a BMC MCCI.

It is built like a tank, and it looks it right away!

It resembles the sound of the ASR mini Exclusive (runner up on my list) , but it somehow creates a more uniform transition from one instrument to the other, except when the artist (or sound engineer) specifically wants something to stand out.
Other phono stages I tried at home on the same setup were the PS Audio, the Audio Analogue Aria (junk for MC carts) and the RCM.

Please note that the BMC has its quirks. It works with MC carts only.

Moreover you need a cart with low internal impedance. For example my Denon DL103 with an impedance of 40 Ohms was a disaster. The ZYX at 8 Ohms really sings.

Another issue is that you need XLR plugs connected to your tonearm cable. Not easy to connect different arms every now and then.