Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo

Showing 3 responses by jtimothya

Exlibris - hi, I've heard the IO (non-Sig) a few years ago in a system somewhat different from mine, but have not had the opportunity to hear it in my own system to compare with the MP-1 mk.III. I think its fair to say both are 'stand out phono stages'.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.

Here are 'last I'll ever buy' phono stages to consider, in no particular order...

* Atma-Sphere MP-1
* Audio Research Corp PH7
* Aesthetix IO
* Lamm LP2
* Conrad-Johnson TEA-1
* CAT SL-1
I have a lot of early to mid-50s jazz LPs (including the sublime Ella and Louis recordings) that are not cut to RIAA specs, so adjustable compensation is very appealing as well.

Lately I've been using the ARC Ref Phono 2 with the MP-1. It is v quiet and lets you switch it between RIAA, Decca and Columbia curves. Definitely worth a listen if you can get a loaner.