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Stand out phono stages

This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo

Showing 3 responses by goatwuss

goatwuss
877 posts
 
I took home an ASR Mini Basis Exclusive to compare to my PS Audio GCPH. I wasn't planning on making a change at all, but it sounded night & day so much better that I bought one.

Compared to the ASR, the PS audio sounded thin and compressed. If you're looking for a stage in the $2-4k range I'd suggest checking it out. Very open sound and rich without being too euphonic.

I also compared to the phono in my Supratek Syrah - and though this was a closer comparison, the ASR was still more open, rich and dynamic. This stage really brought my vinyl playback up a few notches in enjoyment for me.
goatwuss
877 posts
 
"Goatwuss,

When you compared the Basis and PS Audio GCPH, did you run the same loading on the cartidge for both preamps? I know the GCPH has a number of loading options, and the sound can change dramatically depending on the cartridge. What loading did you use when comparing the two and what cartridge?"

Yes, I used the same loading. 100 ohms on my Audio Technica AT33-PTG
goatwuss
877 posts
 
My ASR Mini Basis Exclusive sounds about 50% better than the PS Audio GCPH that I used to own. Much more open and liquid midrange, removes the layer of grain, more dynamic, more clear
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