Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo

Showing 6 responses by dhcod

Very Interesting Nandric. I'll be in Europe next year. I should look around and maybe bring an Emitter home. Thanks.
I'm extremely happy with mine. I had Joe Fratus do the updates last year and that made it a little more transparent which works well with my system.
I feel like at the level of phono stage we are all talking about here, it's more about system matching than what is "the best." My system is a little on the dark side and I've used many tube phono stages and now I'm finding that a solid state phono stage is really better for me. Helps the overall balance. ASR Basis Exclusive on the way. Looking forward to it being my "final" phono stage.
To answer to the above, I just think that all component that are good, are good objectively and we all just use them as tone controls. I'll give an example now that I have the ASR Basis Exclusive: My speakers are Quad ESL57 and they are incredible at what they are incredible at, tonal realism, tactile sound, elbow room around instruments, airy presentation but for all time, people have been trying to get a little more sparkle out of the top end and a little less mushy bass. I've been able to help this by using a higher powered tube amp than is traditionally suggested (using protection boards) and after years of using an Art Audio phono stage, I've found that the ASR Basis gives me all that tube midrange and realism but I'm able to squeeze more top end sparkly out of the Quads by using it. People I know who own to the very best phono stages tell me that once you get into the ASRs and the other units in that price range and above, the difference between tubes and solid state is not really the issue anymore. I've found that to be true with my experiences since my initial post. And it's not like I can just change speakers because I'm not going to find what I love in the Quads in any other speakers.
ASR Basis Exclusive. I have the blue board version. It's a tad warmer (although less resolving) than the newer gold board version but I think it's right in the sweet spot of my system. I don't think I'll be needing another phono stage ever. Can't imagine what could sound better that was attainable price wise. Now if I could only get an Emitter to match!