@rwalsh07, I haven’t read any of the comments so disregard my reply if it is deemed irrelevant.
Have you done an RTA from your seated position?
That should give you the best snapshot of how the speaker is coupling with the room. Doing this is better than any cable change (unless you worried them wrong) or any preamp/DAC/Amp change.
Get a UMIK-1 from MiniDSP. Get this measurement tool for the RTA - https://www.roomeqwizard.com/ and use this method of RTA - this link (https://www.audiosciencereview.com/forum/index.php?threads/the-moving-microphone-method-mmm-for-dummies-using-rew.51333/) and this (https://www.diyaudio.com/community/threads/moving-mic-measurement.262246/) and this (https://www.loudspeakers.audio/en/faqs/mmm-moving-mic-measurement/)
To get to know how the speakers are interacting with the room. That should clearly show you offending sections of the in room frequency response, RT60 and the whole lot of important data.
It is a learning curve with REW but getting this done opens you eyes to a whole lot of ways to deal with issues of speaker/room coupling and how the placement of these speakers in the room can drastically change the tonal identity of a speaker.
Yap aside, most Martin Logans I’ve heard have had an overzealous bite to their lower treble and mid treble presentation... Leading to initial wow factor but long lasting irritation