Speaker wire is it science or psychology


I have had the pleasure of working with several audio design engineers. Audio has been both a hobby and occupation for them. I know the engineer that taught Bob Carver how a transistor works. He keeps a file on silly HiFi fads. He like my other friends considers exotic speaker wire to be non-sense. What do you think? Does anyone have any nummeric or even theoretical information that defends the position that speaker wires sound different? I'm talking real science not just saying buzz words like dialectric, skin effect capacitance or inductance.
stevemj

Showing 10 responses by paulwp

Jpharris's post raises an interesting question: If you can measure a difference in frequency response (hard to imagine how wire could impart such a large boost to any part of the frequency range) but you can't tell the difference in listening double blind like stevem (or is it Arnold or mtry??) says, which is right?

I take no position on this matter. I believe all you wires is wires guys when you tell me there is no reason why any 2 wires should sound different and I take it on faith that I am delusional when I hear differences. I am especially mad (i.e., loony) because the differences I hear have almost no correlation with price. I like some cheaper stuff better than some expensive stuff.

But the differences I hear are not so much in tonality, except at the extremes (w/re frequency and design), but in midrange clarity, imaging and sibilance.

This thread hasnt become abusive yet, but I hope it doesnt go the way of the cable forum on Audioreview.com or the cable talk threads on rec.audio.opinion (not defunct, just useless).
See what I mean? Jostler, there was no need. I said I hear differences, but it's "hard to imagine how wire could impart SUCH A LARGE BOOST to any part of the frequency range." As opposed to a smaller boost (although that I still dont understand) or a cut (which I do think happens). My impression of the Kimber cable jph was talking about is the same as he reported measuring. It sounds a little bright and forward, because, I think, the highest frequencies are attenuated compared to the upper midrange low treble and presence region. But that's just my guess. I have no proof of anything, including whether or not I can hear at all.

Oh, and trust me, if I say I can hear a difference in imaging, the room, equipment and music are the same. Just the wires are changed. But you know, the differences are subtle and may well be imaginary. I have no interest in arguing with anyone about this subject.
Interesting you mention the Radio Shack cables. I have tried and used the thicker RS gold series a/v cables (yellow and white rings on the ends instead of red and white) because of a dimmer switch problem and I think they're fine. No frequency anomalies, good three dimensional palpable images. Depth, spread, isolation. No problems. Now, if anything, I have a bias in favor of the underdog, so I dont want the more expensive stuff to sound better. But Im also honest with myself. I actually prefer the Radio Shack cables to some cables, and cannot say for sure that I can detect a difference between the RS cables and, for example, Kimber PBJ. (I love the looks of the PBJ and want to like them more than anything.) In addition to the RS GOld A/V cable, I use Kimber Silver Streak and I think its more open and lets some more detail through, and I also use some $40/pair silver plated copper center coax with locking RCA's made by a local pro gear maker that I like the best. Now I know silver plated copper is not suppose to be good, but Nordost is doing it (didnt know that til later).

As suggested by another thread around here, and the designer of my favorite speakers, I'd rather leave well enough alone and enjoy the music through the equipment I have. I know it isnt state of the art, but its enjoyable. If you aren't unhappy with the wires you have then who cares if they sound different from other wires? If you have no wires at all, buy something inexpensive and dont obsess.
Redkiwi, Jadem6, nicely done.

When I compare wires, I notice sometimes that although I cant articulate a reason, I prefer one over another. That is to say, I dont decide, this one is best, I just enjoy whatever Im listening to more so that I forget to stop after the short selection that Im using for the comparison and let the piece play all the way through. Now, if you have 2 wires, and with one you have no trouble cutting songs short to analyze the effect of the wire, but with the other you cant stand to interrupt a song you like, isnt that a very good reason to prefer one over the other?

And who cares how they measure?
I warned you. Now we've crossed over. Might as well be rec.audio.opinion or audioreview.
Whosyoudaddy, good comment. I tried out a rave reviewed pair of speakers a few years ago and rejected them because they were too bright. When the dealer told the distributor (a famously obnoxious guy in the industry) his response was that (1) I obviously needed better cables (so I wasnt't smart enough to use his speakers properly) and (2) the dealer shouldnt lend out his speakers to people with junky cables.
Are we there yet? Welcome to rec.audio.opinion and AudioReview. com cable talk. The thread was dead. Let it rest in peace. If you're interested in Mr. Dunlavy's views they have been discussed at length over and over again on those other forums.