Speaker Technology over the last 10 years


I bought my last pair of speakers 13 years ago, Legacy Classic. How much has speaker technology changed since then? I know in terms of amp and cd player there has been tremendous advancements but what about speakers?

Are speakers for the most part dependent upon the source? I appreciate any comments.
revrob

Showing 13 responses by mrtennis

there have been some advances in ribbon and electrostatic panel technology, as exemplified by the newer martin logan panels and piega concentric tweeter/midrange drivers, respectively.

i still can't understand how anyone can get excited by cones. i have never heard a full range all-cone speaker that i have liked.

i did like an earlier gradient speaker, with an open baffle midrange and jordan modules as tweeter.
hi shadorne:

i think you are ignoring the obvious. i exchew cone speaker designs. i realize others like them. i just have a hard time fathoming why they are so popular, given their faults. i will never buy one .
sorry for the spelling error, the word is "eschew".

as to faults of cone design, they include the following:

cabinet colorations, lack of driver coherence, stridency of many metal-based tweeters, and crossing over dissimilar drivers

of course, pick your poison. nothing is perfect, i;ve picked mine. it's all a matter of opinion.
hi ojgalli:

are you suggesting that a "properly" designed cone system can sound like an apogee duetta signature, sound lab, or magnepan 20.1 ?

i would wager that in a blindfold or any other test, i could tell the difference between panel and cone 9 out of 10 times.

if there is a cone design in production that sounds like a panel speaker, please advise as to brand.
why is it that whenever i listen to a cone design i hear cabinet and driver colorations. please cite a cone system with no cabinet colorations and i will listen carefully to it when i have the chance.

you can blindfold me and i will recognize a cone speaker. if cone speakers are so realistic, why do i detect a sonic signature ?

i realize it is a matter of personal taste, but i wonder how many who prefer cone designs would not prefer them as much if they heard a panel speaker in blindfold mold.

timbre is most important to me and i feel panels do a better job.

if there are any outstanding cone systems, i will try to appreciate their virtues, the next time i go to las vegas.
hi clio9:

i live in the nyc metro area, do you live near there ?

i would love to hear these speakers.

thanks for the invite.

the most realistic timbre of any speakers i have auditioned were stacked quad esl, mcintosh c22, quad 15 watt tube amps, and thorens t/t with ortofon arm and cartridge.
wqit 'till the new magnepan becomes commercially available. let's see how many abandon their cone systems and buy the magnepan.

i understand that the expected price for the new magnepan speaker system, a stand mounted + woofer combination is around $2500.
if i could not tell i was listening to a cone design in a cabinet, i would seriously considder it. i know of no design which satiisfies the aforementioned requirement.

i have heard many, many cone designs.
thanks marty and shadorne for your insights. i happen to have heard a few tannoy speakers which i like based upon their frequency response.

in addition, there was an early gradient speaker which had an open baffle midrange and tweeter (jordan modules) which i thought was a wonderful design. i could easily live with that gradient speaker.

in the past, i liked the aerial 10t, rogers ls35a and proac response 3, and chario academy one, driven with the original jadis orchestra.
i guess there are some exceptions to my panel preference after all.
hi shadorne:

i would be shocked that anyone would expose a pair of ears
to spl exceeding 100 db. my normal listening level is about 75 db. anything above 75db i consider loud.

my preferred seat at a large concert hall, is last row orchestra. i doubt i would experience a spl excceding 85 db, especially with all of the bodies in front of me.
hi chashas1:

i happen to like most panel speakers, but consider the magnepans a good value.

i was not trying to single out the magnepans, although their latest prototype might be something special. i have not heard them, my impression is based upon reading and talking to someone who was at the SHOW this past january.

the virtues of magnepans are well known. i like the boxlessness, depth, frequency response and radiating pattern. i think they are "easier" on the ear using a tube preamp and tube amp.

why not listen to one ?
what hybrid are you referring to ? the new magnepan uses a panel woofer. i believe it is similar to the bass panel of the 20.1. by the way, i agree that integrating treble/midrange panels with cone bass drivers can be difficult/
does anyone think great strides have been made in crossover technology, especially with the availability of a such a variety of capacitors and resistors.

is it a given that a crossover from 1969 is inferior to one designed in 2009 ?