speaker excursion..."mo power"..and bass..Sean


I'd be interested in everyone's thoughts, but hopefully Sean will chime in...

Some reading I've been doing & the "is 22 watts enough" discussion has raised a question in my mind. I'll use the Linkwitz Orions as the example, but the real questions will (should?) apply to powering most any driver.

I've been reading Linkwitz's site on the Orions, some of the theory, what it takes to build them, suggested power..etc...and I remember some post that I read in the A-gon or AA archives stating that the 60 watts Siegfred suggests isn't enough to give significant bass. I read on the SL site that he likes the 60 watts as the amp will clip just before the speaker can reach full excursion & thereby the driver will not sustain damage. He continues to state that the higher power amp he suggests (a larger ATI) will result in the driver reaching full excursion prior to the amp bottoming out & thus driver damage may result.

>Proponents of "lower is plenty" might be, at least conceptually, in line with the needed power to reach a driver's maximum excursion (almost by defintion) being all the power necessary.

>Then comes the "more power, preferrably gobs more clean power" crowd that says more power is the best in most applications.

So my question(s):

>Is the difference between these two camps just "time"(instantaneous versus continuous power)? i.e Lots of mostly unused power sitting "idle" as a reserve for the couple millisecond demand of those dynamic peaks?

>From what I've read the SL Orions do very, to exceptionally, well on bass even with the 60 watts. How would 200 watts instead of his 60 improve the bass if the drivers bottom out at a little over 60 watts? Is it again just the millisecond peak demand for power that would be available or is there another reason?
fishboat

Showing 2 responses by bombaywalla

Sean,
Good explanation overall but I think that there are a few things that might be mis-represented:

* "As taken from Audio magazine September 1975 in an article entitled "Bi-Amplification - Power vs Program Material", it was demonstrated that an actively crossed two way with 30 watts on the tweeter and 60 watts on the woofer clipped at appr the same point as a 175 wpc amp driving the same speaker full range with a passive crossover. "
If I had to guess, I'd say that the active xover must have had gain. So, the 30W & the 60W amps each had help from the active xover. IOW, there were 2 amplifiers in series: the active xover & the 30W & 60W amps. Needless to say, it must have been enough. The 175W amp OTOH did not have that help & performed all the gain from input to output in just 1 chassis. Hopefully that 1975 report makes some mention of this???
So, when you do 30W+60W=90W < 175W I think that one must add the active x-over gain.
Just a comment here.
I do agree with you on the concept of bi-amping & further that external x-overs are better.

* "This is done by reducing the thermal losses that one would normally incur when running the capacitors, coils, resistors found in a typical passive crossover."
Thermal losses in a capacitor & coil????? Physics does not allow this! I think Eldartford's latest post also addresses this. This I think is a fundamental error!
Inductors will dissipate some heat as a coil of wire will have some resistance. If one is using a low ESR capacitor, very little heat gets generated in a capacitor. If you have an active xover, touch the C & L right after several hours of play & see how warm or hot it is!!
The way that one effectively doubles the power in a biamping situation is NOT by minimizing the thermal losses(!) but it is by splitting the power into atleast 2 chassis: one for the tweeter & one for the woofer. If one adds the power linearly then one will notice that the voltage excursions have doubled. Thus, if you calculate power, which is volts squared divide by impedance, one will notice that the power has quadrupled effectively. This is the theoretical limit which is usually not achieved owing to distortions in the amp which disallows one from running the amp wide open. Thus, the practical increase in effective power is more like 2X, as that 1975 article you refer to showed.

* "In order to maintain control over the driver, the amplifier not only has to generate enough power to overcome that reflected voltage that the driver itself has produced, but it has to have even more power on reserve in order to "muscle" the driver according to the intensity of the music signal that it's being fed."
I feel that this is not correctly written. Yes, the woofer does produce back-EMF. Does this back-EMF hit the amp terminals directly? Not at all.....there's the reverse isolation of the x-over ckt (active or passive). The back-EMF is attenuated quite a bit before hit the amp terminals.
The amp does not have to generate more power to overcome & "muscle" the woofer. What the amp has to do (if it is designed correctly) is provide a very low output impedance path into which the back-EMF can be channeled to ground potential. This merit of the amp is measured by the "damping factor" of the amp. In an actual system the impedance of the speaker wire can totally ruin the overall damping factor & disallow (an otherwise high damping factor amp) to control/damp the woofer.

* "As such, the "beefier" the drivers that you're using and the louder and lower in frequency that you want them to play, the more power that you have to have to maintain control. If you don't have the power to maintain control, the driver...."
I really don't think that power maintains control over a woofer. Power/Current into a low impedance is what creates the woofer excursion BUT it is a high damping factor/very low output impedance that REALLY maintains woofer control. As they say often - power w/o control is largely useless. The control comes from the damping factor taking into consideration the speaker wire impedance & not just the amp.

* "Having said that, it has been my experience that high quality drivers can take GOBS of power beyond their power rating. That is, so long as the power remains clean ( non-clipped ) AND the music that one is listening to is "dynamic" in nature."
A comment here - actually clipped power is not really that much of an issue in & off itself for a speaker driver 'cuz the clipped signal does not hit the driver directly. It must go thru a xover (active or passive). Remember that amps usually clip @ the top end i.e. when the volume has been turned up near-max. Remember, also, that a clipped signal is rich in harmonics - high frequency harmonics. These high frequency harmonics will be filtered by the tweeter xover ckt beyond 20KHz. The xover is a filter, they have to be filtered off. Thus the intensity of the clipped signal hitting the tweeter is much reduced. What really kills a tweeter is, as you wrote, duration. The longer one lets the clipped signal sustain, the longer it feeds the tweeter & the VC burns up. I think that it was on the Adair Audio website that I read that VCs are only about 1-2% efficient! I was shocked to read such a low number - I knew that they were largely inefficient but wasn't expecting 1-2%! If that's true, it's easy to see why "Duration" would fry a tweeter.

Anyway, my intention is for this post to be viewed in a constructive way. I do hope that you view it the same. Thanks!
Hey Sean,

Neither Eldartford nor I totally denied that L & C do lose power.
Eldarford: "Passive crossovers do not absorb power to the degree that you suggest." &
I wrote: "Inductors will dissipate some heat as a coil of wire will have some resistance. If one is using a low ESR capacitor, very little heat gets generated in a capacitor."

However, I think that you are mistaken as to just how much gets dissipated in these Ls & Cs on average.
Optimizing the losses in a reactive component is NOT the way biamping achieves its perceived increase in power. Separation of power amplification into multiple chassis & the constructive addition of the music signal is what gives biamping its perceived increase in power.

"The comments about the active crossovers increasing the gain of the signal have little to nothing to do with amplifier capacity."
True! However an amplified signal fed into an amp needs less amplification to the speaker => more headroom for dynamics. Such a setup would have more air/the music would flow easier/more transparent.
The comparison is between passive & active xover cases.

"Couple this with the fact that your .1 ohm output of the SS amplifier is typically fed into 40 - 120 ohm speaker cable"
What???? Who in their right mind would use a 40-120 Ohm speaker cable?? Does a speaker cable with 40-120 Ohms even exist? I think that you would ripe for catching much flack for this one, Sean! :-)
I think it's a typo. You really meant milli-Ohm, right??

"Reflected EMF is a reality that the amps have to deal with."
Oh, it certainly is. No question about & I never denied it in my post. However, not to the degree that you mentioned in your original post. There IS the reverse isolation of the xover & their IS the output impedance of the amplifier/damping factor as only an active circuit can get rid of the back-EMF

"Damping factor is a hoax and is completely taken out of context."
No it certainly is not! Without a damping factor, which is really a glorified name for amplifier output impedance there'd be no "out muscling" the woofer.
We can agree to disagree here, which is just fine w/ me.
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Anyway, I, too, am in the more power, the better camp as long as the user is careful to not overdrive the speaker. If there are transients, then they should be shorter in duration (than being longer) & if one doesn't know then it's better to listen with a slightly lower level to be conservative. Case-in-point: Last summer I fried my Green Mountain floor stander tweeter after trying to break-in the woofer by playing music too loud for 14 hrs at a stretch! What Roy Johnson told me was that tweeter can handle way more than its 100W RMS rating if I play loud music for about 3-4 minutes (1 track) every 20 minutes or so. He says that he does that all shows regularly & the tweeter survives each time. So, now I know.......
More power results in the music flowing better, more air, more transparency, more lower level details.
Drivers can handle many more watts of peak power even tho they are rated for lower RMS power. (Usually, the driver ratings are RMS power, which is average program power).
So, yes, Fishboat, its reserve power mostly.
Additionally, a large amp has more current capacity even at lower power levels, which what gives the music is ease of flow. To get that driver moving, you need current in the voice coil.