There is no question that I can hear the detrimental effects of a spade fork terminal on my equipment. The first time I knew there were problems, was when Brisson/MIT released the first super high quality gold spade. I saw they were adaptable to 2 different bolt sizes and had heavy plating over copper. They could accept wire down to # 8 guage. I bought about 20 of them from Steve McCormack of the old "Mod Squad" in California. Anxious to hear an improvement over my cheap Thomas & Betts fork terminals, I crimped them on the wire I use so not to introduce solder to the mix. Both amp and speaker ends were done. I sat down to listen and could not believe my ears. The sound of my beloved system was degraded at a surprising level. I made very sure that I locked on to the sound that I heard. I literally would shut down the system after 20 minutes of listening since the magic was gone. (no this is not some lunatic imaginary problem that many claim is in our head). The goosebumps were gone, so I knew it was absolutely REAL. Upon restripping my wire, I figured I might as well try bare wire to see what that sounds like. WOW!!!!! All, and I mean ALL artifacts of brightness, or in the case of the MIT lug, dullness, were gone. The difference was HUGE. Detlof, you would have eaisily heard this also, so dramatic the difference on the Quad.
Believe me, this is a very important story in the life of a audiophile in pursuit of the most Natural sound.......Frank
Believe me, this is a very important story in the life of a audiophile in pursuit of the most Natural sound.......Frank