source disappointment


I have built a system that I would guess is fairly revealing(in my limited experience), and have begun experimentation with the CD Source.

Signal Cable Analog 2
Cary SLP 88 pre
Zcable Live V3
Cary 2A3 se monoblocks
Elco Sti-2b Silver Bi-wire (used as single for soliloquys)
Soliloquy 2A3 monitors

Sennheiser HD590

I recently purchased a used Audio Note CD 2 to replace the use of my Panasonic XP50 DVD/DVD-A, player which I assumed was not much of a source, though it does have a remastering upsample feature.

In several extended listening sessions using various albums I have been unable to detect any sonic improvement offered by the Audio Note which I purchased because of their reputation for analog sound. I actually A/B'd a getz/gilberto cd I had two copies of, syncing both players up and using my Headphones, and I believe I prefered the Panasonic. During intermmitent audience applause on the disc, the Panasonic rendered a warmer and much wider soundstage.

Is this crazy?
wheeler

Showing 1 response by jeffcott

Wheeler:
IMO, the remarks made above all have the ring of truth and the wisdom of experience.
In my experience in the last two years, I have moved from an HT environment to a music environment. I have cycled thru a number of pieces, within my limited budget. I have taken the approach of focusing on the front end first. I am using MLs, and am using an Audio Logic DAC.
After acquiring the AL DAC, I used a number of pieces as transports and was disappointed that I heard no differences that seemed to me to be significant. Then I had the fortune to get a CEC TL2 Transport. I now know that the transport CAN make a difference.
The advice from Hdm is IMO spot on. The Philips 963SA IS a terrific piece for the money. I recently purchased one for the DVD player and for my first taste of SACD. For the $, this piece is amazing.