Soundstage...How to determine what's right?


Have started upgrading my system and will be trying to optimize the soundstage. A lot of reading has me thinking that I really don't have enough information and experience to get there.
Terms like "congestion, width, depth, and height" have me wondering how much is in the recording and how much is introduced by the system? Are there reference type cd's that people use to determine how their system is progressing? I so, could you help with a list of cuts with info regarding the placement of vocals, instruments and examples that contain material that is not congested?
Thanks for any help.
Steve
scoly1

Showing 1 response by gregm

Newby:
It's just NOT possible for a stereo system to produce sound, on the plane of the speakers, outside the speakers when the sound from both speakers is in phase AND your speakers are set up properly. (....)
As you've phrased it, s OK:)
Listening within the usual confinements -- i.e. the room -- this can happen. It's an artefact of boundary reflections.

Redman notes:
on one of my John Klemmer albums there was a cut with a very pronounced Fender Rhodes solo. It never failed to amuse me when my friends would open the closet door to the right rear of the couch they were seated in, looking for a hidden speaker(or the Rhodes). Don't ask me how that worked.
Reflections is how that worked, probably. Nice story, btw!

TO my mind, sound-stage is a case of "all that glitters ain't gold". I got outstanding "sound-stage" using a cassette recorder -- i.e., as has been proposed before, "compression is good for sound-stage" or "sound-stage can be proportional".
"Imaging" may be a better word to use.