SOTA NOVA, HR-X VPI, Technics 1200G recommendations?


I am considering SOTA NOVA, used HR-X VPI and Technics 1200G TTs. I have an old SOTA STAR with vacuum, (and essentially a Jelco 750 arm-retipped Denon 103R) so I know its high quality and durability. Technics apparently has performance that far exceeds its $4000 price tag. For tonearms, I am down to Jelco 850M and old FR-64S. I am considering low compliance cartridges. For VPI, it would be JMW 12 or 3D. Changing the tonearms seems to be more of a hassle on VPI. What are your thoughts and recommendations?
chungjh

Showing 20 responses by chungjh

The only thing with Technics 1200G is that it doesn't have vacuum or peripheral ring for slightly warped LPs and better coupling. Even with a very old used Triplanar tonearm, you are already talking about >7K. How do I get an armboard for TP for 1200G?
I have a good rack and I am the only one in the listening room. I have been reading about the Micro Seiki RX5000/FR64S combination. Some people love them, others not so much. What do you think? Are they worth the price? 
@sbank 

Seems like you are making all valid points. What tonearm/cartridge are you using with your SOTA? 
 
I heard some people say that TP tends to sound more muted than FR-64s. I guess this will depend on the cartridge match. But, do you think there is any validity in this point about TP?

Reed 3P does look a lot like TP and easy to adjust everything.How about a comparison between these two?
What is the advantage of using a low compliance cartridge? Is it for a specific sound character? Otherwise it seems like one is limiting himself to heavy tonearms.
I have been looking at Technics 1200G and did some thinking about much more expensive Technics TT such as SP10MKII, SP 10MK3, SP10R. From what I can see the new 1200G has a rock solid speed. If the expensive TTs are not much better than 1200G in speed stability, then they must be better in motor vibration and plinth/feet isolation mainly. Is this the right way of thinking about this?
@lewm 

In what way is Technics SP-10 MK3 better than MK2? Is the SQ difference dramatic?
@chakster,  Michael Fremer liked some carbon fiber mat on Technics 1200G. Do you think CU-180 is better? How do you handle warped records? Periphery ring?
@sbank 

Thanks for the TVT recommendation. I just sent him an email. Which SOTA do you have? How does it compare with the old Technics?
May be another benefit of the copper disc is that it may discharge some electrostatic charge build up?
"There is no advantage in making a turntable look cool. It is just a total waste of money. It has nothing to do with sound, purely visual. Mechanical artwork."

Are you saying that it is fine for a Porsche to look like a Toyota as long as the performance is Porsche? Some people get a jolt of dopamine from the form as much as from the function.
I had never heard of Dohmann until you mentioned it. Actually, it looks very nice. You can tell it is expensive.
@chakster 

When you flip your record, do you stop the turntable each time? On my old SOTA, I just grabbed the record while the platter was turning and flip it. With hard surfaces like copper, I am thinking it would damage the record if you grab it while the platter is still turning.
Lew,

I wasn't so much worried about the delay but the stress of constant starting/stopping on the motor.
It is so great to have people with long histories in this great hobby and also the phenomenal memories of what went down long before I got interested in a "stereo system."
An update. I just got Technics 1200G and a slightly used Lyra Etna SL. In the process of setting up. I will update once I get a feel for the sound.
Sorry, I haven't responded for so long. Due to personal reasons, I just started to set up my 1200G today. I got a Lyra Etna SL cartridge to go with it. Bad news is that this practically new 1200G doesn't turn on. I checked all the connections. The only thing I can think of is that the fuse is blown. Any ideas?