hi jylee:
buying on the basis of any number of opinions is risky, because opinions are not facts, nor knowledge
buying on the basis of any number of opinions is risky, because opinions are not facts, nor knowledge
SONY XA5400ES - Preliminary Observations
As I previously mentioned, I bought this from American TV on Audiogon (they are an authorized dealer for this product; I registered unit and store name came up on Sony list)almost on a lark, skeptical of the maniacal rave reviews but wondering whether just this once . . . .
I will be moving back to NYC later this year and am thinking about how I can reduce number of components to save space. I compared the SONY (on RBCD only) to my CEC TL-1X transport (modded by RAM), with balanced Stealth Sextet digicable to balanced input on my trusty Dodson 218 DAC. EPS 2S PC on transport; Valhalla PC on Dodson, both run through an Audience AR6 conditioner. The transport-cable-DAC combo-PC combos totals some $20K, when new. I am running Valhalla IC's from Sony to my Wyetech Opal Pre (the Sony sounds awful with Stealth Indras; have no idea why)and amusing a LessLoss Sig PC (which I like a lot).
The ravers raved about 500 hrs of burn-in for Sony to sound its best. I don't know if that's true, but it has improved considerably over the 150 hrs or so I have burned it in. It started off way too dark, vague and murky -- almost unlistenable -- but has loosened up, detail has improved, vocals have become clearer and more natural and bass has tightened somewhat, but still is a bit loose and muddy. The preliminary verdict (pending another 100-150 hrs of burn-in: this is an outstanding CDP that fights way way above its weight and which I enjoy listening to and could be very happy with -- and it does not suffer terribly in comparo with my usual setup. My usual combo sounds more natural and realistic, with better detail and clarity, and tighter if not deeper bass than the Sony. Highs are airier and cleaner. The improvement, however, is not jarring; it is, however, definitely noticeable. The Sony is darker, with vocals a bit huskier and strings much warmer, perhaps too warm at this point. But as I said, if I did not switch to my usual combo, I would enjoy the Sony immensely on its own merits. It dors have a smooth, organic presentation and if it sins it is on the side of warmth rather than clinical digital detail. For what the Sony costs, anyone who was considering spending up to $5K or so on a CDP should listen to this first. I only have one SACD and will try that soon, but really cannot comment on its merits as an SACD player.
Will check in again in about a week or so to tell if there is anything to add. I would have no qualms about admitting it's as good as my combo, but remain skeptical it will ever reach those rarefied heights.
Sorry for being so long-winded, but this has been a fascinating exercise for a long-time audiophile and anyway, I am a lawyer, so what would you expect?
Neal
I will be moving back to NYC later this year and am thinking about how I can reduce number of components to save space. I compared the SONY (on RBCD only) to my CEC TL-1X transport (modded by RAM), with balanced Stealth Sextet digicable to balanced input on my trusty Dodson 218 DAC. EPS 2S PC on transport; Valhalla PC on Dodson, both run through an Audience AR6 conditioner. The transport-cable-DAC combo-PC combos totals some $20K, when new. I am running Valhalla IC's from Sony to my Wyetech Opal Pre (the Sony sounds awful with Stealth Indras; have no idea why)and amusing a LessLoss Sig PC (which I like a lot).
The ravers raved about 500 hrs of burn-in for Sony to sound its best. I don't know if that's true, but it has improved considerably over the 150 hrs or so I have burned it in. It started off way too dark, vague and murky -- almost unlistenable -- but has loosened up, detail has improved, vocals have become clearer and more natural and bass has tightened somewhat, but still is a bit loose and muddy. The preliminary verdict (pending another 100-150 hrs of burn-in: this is an outstanding CDP that fights way way above its weight and which I enjoy listening to and could be very happy with -- and it does not suffer terribly in comparo with my usual setup. My usual combo sounds more natural and realistic, with better detail and clarity, and tighter if not deeper bass than the Sony. Highs are airier and cleaner. The improvement, however, is not jarring; it is, however, definitely noticeable. The Sony is darker, with vocals a bit huskier and strings much warmer, perhaps too warm at this point. But as I said, if I did not switch to my usual combo, I would enjoy the Sony immensely on its own merits. It dors have a smooth, organic presentation and if it sins it is on the side of warmth rather than clinical digital detail. For what the Sony costs, anyone who was considering spending up to $5K or so on a CDP should listen to this first. I only have one SACD and will try that soon, but really cannot comment on its merits as an SACD player.
Will check in again in about a week or so to tell if there is anything to add. I would have no qualms about admitting it's as good as my combo, but remain skeptical it will ever reach those rarefied heights.
Sorry for being so long-winded, but this has been a fascinating exercise for a long-time audiophile and anyway, I am a lawyer, so what would you expect?
Neal