Sonus Faber vs Wilson


I currently own a pair of absolutely gorgeous Serafino Tradition speakers. They are about 3 months old and I’ve finally got them positioned nicely in my room. They are being driven by a Gryphon Diablo 300. Great soundstage and imaging even off access. Tremendous detail and I just love the way the speakers look. I must add that it’s really important to me how all this stuff looks in my home. I love the tight fast and nuanced delivery of the Gryphon but not loving the way it looks…alas..that sound made the decision for me and I’ve hidden it away so my wife doesn’t have a coronary.

So….this brings me to my newest quandary. My local dealer has a gorgeous dedicated listening room in the lovely Biltmore hotel just minutes from my home. (Very dangerous…!) There are a pair of Wilson Sasha DAW speakers that sound…well…that sound like the best speakers I’ve heard. I absolutely HATE the way they look…and I would dread getting them up the three front steps of my home…but that sound….

Do I keep the lovely sounding and gorgeous looking Serafino’s or swap them for the ugliest best sounding speakers I’ve ever heard.? 
(There is an $18k price difference so there’s that too…!)
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Showing 1 response by gg107

My wife and I also auditioned speakers at the OP dealer's showroom at the Biltmore earlier this year.  My wife is an experienced classical musician -- a soloist who has performed with some of the world's greatest orchestras, has made numerous recordings, and is intimately familiar with the acoustics of live music, and with recording studios.  

We heard Sonus fabers, Focals, and Wilsons, all with quality sources (DCS) preamp, and amps.  

My wife hated the Wilsons, finding them utterly artificial.  We wound up purchasing Sonus fabers, though from a different dealer.

I have to wonder whether audiophiles who prefer the Wilson sound are actually deeply familiar with the sound of live, unamplified classical or jazz music.  When you spend years performing and/or listening to live, unamplified music of some complexity and richness, speakers like the Wilsons we heard don't make a good impression.  They don't sound natural, organic, or musical -- they sound "hi-fi."

I realize there are many passionate adherents of Wilson speakers, and I'm not attempting to offend.  I love rock as well as classical, and I can understand how Wilsons, and perhaps similar speakers, can do a good job with music that is amplified and was not created primarily for live performance.  

I've run into a similar phenomenon in shopping for a new car recently -- many of the optional audio systems seem designed or optimized for rock or rap music, and perform poorly with classical music, particularly orchestral and operatic.