Sonus Faber Homage Tradition - New 2017 Line


I went in to audition some Sopra 2's tonight and demo'd them against some of the older Sonus Fabers like Olympica III's and the Cremonese (which just happened to be in the room, way out of my budget).  I much preferred the Sopra 2's to the Olympicas which sounded quite veiled and soft in comparison.  The Cremonese had better, more natural bass than the Sopras and threw a bigger 3D soundstage, but it too had the softer, laid back presentation and recessed/reticent vocals that tend to drive me nuts after a while.  I enjoy a dead flat midrange and it turns out i'm picky about it.  The Sopras were hanging in there with these $40k speakers simply because I preferred their tonal balance and vocal placement.

Then, at the end of the night the dealer said why don't we give the new Sonus Faber Homage Tradition Guarneri standmounts a try?

Oh my sweet mother of god.

GONE are the recessed vocals.  GONE is any hint of syrupy overly-warm sound other than how ridiculously smooth these new speakers are.

What is left was a huge and deep 3D soundstage, with perfect tonal balance.  This was far and away the best midrange and treble performance of the night.  The vocals placed perfectly on the stage, with unbelievable tone, clarity, resolution, and all with an uncanny smoothness.  Zero harshness in the treble with the perfect amount of air. They sounded so natural and open. They also play surprisingly deep, but like almost any standmount you are left wishing for that bottom octave which is covered by the Amati and Serafino.

Enough rambling and forget about any old Sonus Faber stereotypes:  these things are special.
emcdade
Listened to Serafino yesterday and was less impressed.  Treble was clean but there was just a bit too much for my taste.  They had them set up with a lot of toe in so this could've been part of the reason.  Bass was very clean and articulate but could've been a bit fuller, which would've helped balance the treble out a bit.  They were just a touch lean for my taste.

For whatever reason, I did not get that magic feeling the G's created.
Have you ever heard the Strad or the Elipsa SEs?   I owned the Olympica and definitely agree with you about them being veiled.  I think the Guarneri Evos follow the same suit, as well as the Amati Futura.  Going to the Elipsa SE was a big difference in transparency, clarity, taking the veil off... whatever terms we all use.  Goes to show you that no two speakers are alike, even within the same manufacturer.  For a full range speaker, the Elipsa SEs at the discount you can get them now for on the used market are tough to beat.
I have had the SF Homage Amati Tradition for about 3 weeks now.  I had Wilson Audio Duette 2's.  The SF's are extremely pleasing to my ear.  The soundstage is awesome even in the large room that I have.  I even compared the SF to the Wilson Alexia ( which costs almost twice as much) and I just liked the sound of the SF better.  
The Ktema is a part of Franco Serblin's NEW company that he formed after leaving Sonus Faber. Franco Serblin founded Sonus Faber, sold it to what is now the Mcintosh Group, and started a new company of speakers, one of which is Ktema.

Have not heard it. Thinking of taking a road trip in a camper with my wife and dog--pre-retirement--and schedule a string of listening sessions for all of these awesome speakers.

http://https//www.francoserblin.it/en/projects/ktema