Solid State Phono Stages


I used to be an all-tube guy, but I’ve now ventured into the realm of high-end solid state with T+A and no longer have any itch to go back heavily into tubes. Now, the only tubes I have left in my system are in my Modwright PH9.0X phono, and from what I’ve demoed against it, it seems to be a giant killer. I do love it, but I’m curious to try a higher end solid state phono stage to see what more noise and more music might sound like. Unfortunately T+A does not have a standalone phono stage, so I’m looking at other manufacturers and open to other opinions.

I currently have a Clearaudio Innovation Wood table and Air Tight PC-1s cartridge. i listen to a wide range of music, from Zeppelin to Vivaldi to Beck to Coltrane to Yello. The stage would ideally have between 65-74db of gain, maybe adjustable to 60db at minimum, and have variable impedance values. A balanced output stage would be ideal. I don’t ever really plan to have a second arm, but most stages that retail over $7K tend to have multiple inputs anyways.

My budget would be at tops ~$8K for a used unit. The unit that is sticking out to me from what I’m reading about is the Simaudio Moon 810LP. Another high on the list is the Esoteric E-02. I’ve also come across the Pass XP-27, the Gold Note PH-1000.

I’m looking for a stage with some personality in its character, not one that is overly refined. I’d love for it to be dynamic and bold when it should be, and also gentle and refined when it should be.

The only solid state stages I’ve ever owned and tried were the Pass Labs Xono, which was clean sounding but a little noisy and brittle sounding compared to a PS Audio Stellar Phono. I’ve liked all my tube phono stages better than both of those units.

I’ve also considered going further up the tube stage route, looking at Doshi 3.0, Aesthetix IO Eclipse, but I’m hesitant unless I can hear those in place. 

What solid stage phono stages have you loved, and what have you compared them to?

blisshifi

Showing 2 responses by mijostyn

Noise in the older ARC phono stages is almost entirely tube dependent. You really have to get now noise tubes then they are as quiet as a tube stage can get. They are also hybrid with a FET front end. 

The quietest phono stage made by a longshot is the Channel D Seta L20. It can be run either current or voltage mode. It is also something like $60,000 and out of my price range. But, Channel D's Seta L Plus is the second quietest phono stage made and can also be run either current or voltage mode. It has a battery power supply and an extremely accurate RIAA circuit. It also has a flat output if you care to try digital RIAA correction. At about $10,000 it is manageable. I find it intriguing enough to buy it sight unheard. Both Stereophile and Absolute Sound raved about it's little brother, the Lino C. 

@lewm, Schroder will only use captive cables. He will supply them RCA or XLR. It is a breeze to swap connectors, maybe 20 minutes with a soldering iron. Sota will be displaying their Nova and Cosmos tables with Schroder arms now. I wonder whose fault that was. Anyway, you know how I feel about unnecessary contacts in the way of a phonograph cartridge signal. 

@thiefoflight , all that is old tech. The PC-1 is a very low impedance cartridge. If you want to get the most out of it you want a Transimpedance or current mode phono stage. Examples are the Sutherland Loco and little Loco, the BMC MCCI and the Channel D Seta L or Lino C. I just ordered a Seta L Plus to use with a Lyra Atlas Lambda SL.