Thank you all for answering my thread. My intention was to test my hypothesis that most audiophiles, like myself, are really frustrated musicians in disguise and that by investing heavily in audio gear create a panacea for not being up on stage and performing. Thanks to "Basement" for raising the audiophile-musician connection as that was what I was after. The audiophile-musician connection is probably strongly correlated, afterall evolving from listening to music to playing music seems like a pretty natural progression. Thanks too to dan@xenote.com for raising the possibility that trained musicians listen differently than weekend-musicians &/or non-musical playing people. While dan@xenote.com comments sound somewhat elitist I would have to agree that training may improve one's ability to listen differently, not better, just differently. Being able to discern a Selmer alto sax from a Yamaha or Fender bass from a Rickenbacker comes easiest from first hands experience.
As a newbee to Audiogon, I appreciate the passion and participation of its members. Without both elements we'd just be a bunch of "gear heads." In case you were interested, I have played trombone, piano, keyboards and alto sax, and have played in marching and concert bands and come from a musical family where each person plays at least 2 instruments. Hope that didn't sound elitist . . . just blowing my own horn!
Kevinzoe
As a newbee to Audiogon, I appreciate the passion and participation of its members. Without both elements we'd just be a bunch of "gear heads." In case you were interested, I have played trombone, piano, keyboards and alto sax, and have played in marching and concert bands and come from a musical family where each person plays at least 2 instruments. Hope that didn't sound elitist . . . just blowing my own horn!
Kevinzoe