Smooth and silky top end


Hi folks, I'm not a techie but does anyone know how you can get an extended but silky top end out of an solid state power amplifier? Design plays a of course a pivotal role: Could one achieve this silky top end by using negative feedback, mode of amplification (class A, class D)? Or is it a matter of execution: parts selection and matching, use of solely discrete parts (no OPamps), use of tubes (hybrid solid state/tube design)? I know you can achieve this goal by treble cut off or by softening of the treble using filters, cables or tweaks that soften treble response, but that is not what I mean. Btw, a known solid state reference for a silky and extended treble are the FM Acoustics power amplifiers (especially the 800A, a 40-year old design!).
This issue leads to the next question: Is a silky and smooth top end a characteristic of good amplification or is it in fact a form of coloration (softening of the treble by non linearities in the electronics). Amp designers are welcome to comment on these topics.

Chris
dazzdax

Showing 1 response by aball

It isn't ever clear what it takes to get a particular sound. There are many SS amps with silky top ends and each one is done differently so it appears there are several ways to achieve it.

I used to think that slightly reduced top-end frequency extension was the main way but then if you look at, for example, McIntosh MC501 in Stereophile measurements section, their -3dB point is at 120kHz - and that is with an output autotransformer! So that guess is flawed.

One reason could be that a smooth top end can be induced from the other end. A slight excess of bass can make the top end appear silkier. I have expereinced this first hand since I use a horizontal biamp configuration in my stereo. If I turn down the gain on the high amp, thereby effectively boosting the bass, the highs will seem softer eventhough the tubes are firmly in their linear region of operation. The perceived spectral balance is a relative thing.

So there is no clear answer. I think there is probably an exception to whatever rule we can come up with. Even an amplifier is a highly complex system and once you hook it up into another highly complex system such as a stereo, well, you know what happens....

In terms of whether it is good or bad, that too is entirely relative. With edgy speakers, it is good and not a coloration but perfect "neutrality." But with soft tweeters, it isn't. The fact is, nothing is perfect and everything is different so words such as "colored" and "neutral" are effectively meaningless.

Arthur