This is my first post on Audiogon. Been lurking for a while as I have returned to audio after a significant break (career, kid, family, other priority hobbies/sports, etc). I just wanted to say THANK YOU! for all your efforts on this review. It is greatly appreciated and impressive to say the least. Fantastic to be able to get a POV across so many products and the few that I have heard align with your assessment so it is a valuable reference point for me. Thank you so much!
Six DAC Comparison
I am in the middle of comparing the sound of six different DACs in my system. I own them all (I know weird) but one of them is still within a trial/return timeframe.
Not to share specific comparisons today, but a couple of observations so far are that first, they all definitely sound different from each other. On one hand, they all sound pretty good and play what is fed to them without significant flaws but on the other hand there are definite sonic differences that make it easy to understand how a person might like the sound of some of them while not liking others.
Second, raises the observation that most of them must be doing something to shape the sound in the manner the designer intended since one of the DACs, a Benchmark DAC3 HGA, was described by John Atkinson of Stereophile as providing "state-of-the-art measured performance." In the review, JA closed the measurements section by writing, "All I can say is "Wow!" I have also owned the Tambaqui (not in my current comparison), which also measured well ("The Mola Mola Tambaqui offers state-of-the-digital-art measured performance." - JA). The Benchmark reminds me sonically of the Tambaqui, both of which are excellent sounding DACs.
My point is that if the Benchmark is providing "state-of-the-art measured performance," then one could reasonably presume that the other five DACs, which sound different from the Benchmark, do not share similar ’state-of-the-art" measurements and are doing something to subtly or not so subtly alter the sound. Whether a person likes what they hear is a different issue.
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@dantaudio - Thanks for the kind words, and welcome back to audio. If you are looking for information, there is a lot of knowledge here on this site and you can get meaningful responses from the members on just about any topic. The forum archives are also extensive and cover just about any audio topic. Since you have just "returned to audio after a significant break", you might enjoy spending some time looking at the virtual systems since many members have constructed unique listening spaces and very effective audio reproduction systems at a wide range of price points. |
@wig I finally got to spend some time with the Merason MkII DAC, and have to say that it is, as @mitch2 reports, a real winner. While I didn’t do a side-by-side with my Mojo Mystique X ’24, and the associated gear in our shop (Alma Music + Audio in Sterling, VA) was a good bit higher end than what I’ve got at home -- we’re running it through Stenheim’s excellent Alumine 5 speakers and a Vitus Audio Signature Series Integrated -- the delivery, depth, texture, speed, and detail were all just insanely good. I believe what you have on your hands is a real keeper. I’m still delighted with my Mojo purchase, and it’s sounding better and better as it continues to burn in (140+ hours now and counting), but I think you’re just fine with what you’ve got. Both of these manufacturers are to be commended for designing & building truly superlative products at a premium, but still reasonably affordable, price. Happy New Year, and happy listening! |
@wig - I agree, the Merason DAC1 MkII was a hard one to give up. I would have liked to keep it but just had too many DACs here. The Mojo EVO Pro was also hard to give up and the buyer received a very nice DAC with the Z-chips. Benjamin checked it out and adjusted it as-needed to as-new tolerances and then shipped it directly to the buyer. I remain happy with the Mojo X SE NCZ in my main system and the SMc DAC-2 GT-24 in a back-up role when I want to hear a Delta Sigma type DAC. Since I am done comparing different DACs, I have removed the Singxer SU-6 from the signal chain and now directly feed the X SE by USB directly through the USB output of my Sig Rendu SE Deluxe. I recently compared the S/PDIF outputs of the DDC and the Sonore ultraDigital converter. The sonic performance from using all of these input methods into the X SE is close, but if I had to rate them I would probably put the direct streamer to DAC USB connection at the top, followed by S/PDIF out of the Sonore ultraDigital converter, and then S/PDIF from the DDC. However, I would not bet on being able to reliably discern a difference if I were listening blind. I also have a clocked USB filter coming here in the next week or so that I will try. Next up, Benjamin is supposed to send me a Mystique Y to hear but otherwise I am done with DACs for now unless I find something interesting. It seems the next significant upgrade/change from Mojo Audio will probably be in 2026, with a Mystique Z DAC based on the BB PCM58 chips. Happy New Year all! |
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