Should I Switch Preamps?


Hi all,  I've got the itch to change things up... I'll try not to make this too lengthy.  I've been using an Odd Coda preamp... when looking for a pre in 2010,  I contacted Doug at Coda.  At that time Coda was switching over from the Line Stage CL to a unit that has phono built in CP.... He had 1 CL circuit boards left, but was out of CL chassis's,  but had 1 Windows Continuum 4 Chassis.  So I own a Coda CL that looks like a Continuum 4.  At the time I had the very best Sumo Model Nine that I had ever seen... Back in the my Marcof/SpeakerCraft Days,  we used to Sell Sumo and Modded many.... I snagged a Nine and took it to Ed Martin of Marcof.... He looked at the circuit carefully at one time, he debated Jim B about some things in this amp,  but cost was an issue so the Nine Is what it Is.... Ed took this Nine and transformed it.   Well,  I had a lightening strike about 2 years ago and lost my Nine.  I purchased a Coda Unison 3.1 to use until I decided what to do.... You guys that know this Integrated know that it is 125 watts to 8 and 250 to 4 with the first 35 watts being Class A.....I finally took my Old Sumo to Ed,  the original outputs are obsolete.  he has found a Motorola that he can do a few mods to the amp  and make it work fine...  so I hope to get my old Sumo back with even more improvements soon....  
So my Coda CL.... Coda is so well known for their amps but you just don't hear much about their pre's.... Overall, I have been very happy with this, I've compared it to a Pass X10 and the very picky and Proud X10 owner ended up saying that he couldn't tell them apart. Which isn't surprising considering the Coda heritage.... 
Still,  I have the itch to try something else.... I've decided to sell my Coda integrated and my Coda Pre,  get another pre and use some home brewed Abletec Class D amps until my Sumo is back.... I'm just praying that I don't kick myself for letting my Coda go for a song and getting something that  don't like as well.  
So,  even though my thought has searched through tubes,  in the past,  I got tired of tube rolling and not leaving my pre on and I really think that I'm staying solid state...  My budget is preferred to at $1000 to maybe $1700....
My Shortlist as been:
Jeff Rowland Capri
Conrad Johnson Premier 18LS (but I'd like 2 sets of outputs for a sub)
Audio Research LS-12
Bel Canto Pre 2 or Pre 3
Lastly would consider a Classe Six or CP60 or possibly a Muse Model 3 Signature...
Overall, I prefer the rich organic textured mid range of tubes, but the frequency extensions of SS.  
Overall sound stage is as important to me as frequency balance... 
I've seen at one time or another, every pre on my list within my budget range.  Any opinions or other options are appreciated.  I will most likely list my Integrated and pre here on Agon first along with a Technics SP25 with an ATP-12T arm  that I have filled with dampening putty and it is quite dead.  
So My audiophile brothers and sisters,  please advise. 
Tim 








timlub

Showing 16 responses by timlub

Thanks for chiming in Randy,  but I need some practical advice on making a pre change.... I'm quite experienced at room treatment.... My speakers can be anything that I want to build.... My current speakers completely disappear and compete at a high level. Can't quite build a new listening room for my pre amp budget. 
 I'm really wondering what the characteristics are of the preamps that I've listed and how they might compare to each other or any other recommendations. 
Tim
@ghosthouse   Thanks for the really good advice... I could call Jason.  I met him a few times way back when from when he was at Sumo.... No,  I really don't have to sell everything off.... I've been telling my wife for awhile that I'd get rid of some of this stuff and I keep collecting... I've got a room full of raw drivers and crossover parts, a few amps, 3 tables, yada yada, yada... overall she is quite good to me about this hobby, but I keep bringing stuff in wiithout selling off. So, yes,  I could sell this integrated easily,  it is well sought after since its resale value is fairly low and it performs quite well.  Then keep the pre while I look around...
My instinct is that the CJ will have a bit more texture and be similar elsewhere, but haven't heard the CJ and It doesn't have 2 pre outs, so I'd have to make a y adapter.
I've only heard good things about the Audio Research LS12... Like the CJ Premier, it is the best Solid state pre that AR made.  I have found a Bel Canto Pre 3 priced right.  I perceive that as just a bit lean,  very accurate and detailed, good air, good soundstage... So, I could certainly live with that....I'm hoping to hear some comparisons and in the meantime, I'll check out the Freya... I have read a couple of good things about it.  Thanks Again 

@czarivey 
Thanks for the reply.  Overall good advice.  Not sure that my lovely bride would be in for me spending $10,000 to $15,000 to stock a few pre's. 
we are blessed in life, our money is good and she doesn't argue much with my indulging in audio.  Yesterday, we spent a couple thousand at Lowes for the house... For some crazy reason, she finds stuff like that more important.  
Hi Czarivey,
I love my old women dearly,  not looking for an ex.... Hoping someone out there will give me good feedback on The Audio Research SS vs The Conrad Johnson SS Pre's....... My interest is piqued there.  I'd like to hear what these tubed companies have done with SS. I love the functionality of the Audio Research,  can't fine much published on its sound quality.  I believe the CJ will be something that I will most likely enjoy, but only 1 set of pre outs.  I'd have to split off the pre out to run a sub. 
Thanks Al,  I can't find any input impedance spec's on my old Velodyne 12 sub,  the Sumo says 1 megohm.... of course that is single ended only even though it is a fully balanced design and next the Abletec modules that I built are 6k ohm in single ended input or 13k ohm in Balanced input. 
just looked up my Coda CL... it drove any combination that I have used well... Output impedance single ended is 50 ohms and 100 ohms in balanced... I'll need to look a bit further on the Audio Research.  Assuming that your suspicion is correct and it parallels the inputs between balanced and single ended. As well as checking further into my Velodyne input impedance... Thank you for you time brother, You are always a gracious contributor.
@ghosthouse     @almarg     @czarivey     @randy-11     Actually Al,  to be fair, I've had several helpful comments, so I need to include them in my thanks... I guess I singled you out because of the amount of personal help that you have laid out to myself and so many...
So to you others,  I need to say thank you to you also.  No disrespect was intended by not mentioning earlier.... Not sure what I'll do yet,  but I'll keep you posted.
Tim
@almarg 
Hi Al,  Isn't the rule of thumb to have a 10x delta between input and output impedance?  I have emailed Velodyne about the Input impedance of my sub, haven't heard yet.  But looking a the Audio Research @ 200 ohms single ended and 400 ohms balanced.  I'm wondering if I could get away with that?
This could be helpful to others,  thanks to @almarg     I decided to contact Audio Research as the LS12 has been high on my list...
The outputs single ended and balanced on Audio Research Preamps are indeed paralleled... So there could be significant issues driving more than one device.  I have also emailed Velodyne,   looking for the input impedance of my sub,  as of now,  they have not answered.  If I get this info,  I'll post it.
For all of those with the great advice given,  at this minute,  I am leaning toward spending a few more dollars and waiting for a Jeff Rowland Capri S2 to show up on the used market.  Depending on what Velodyne tells me,  I suppose the Audio Research could still be in play.  I am hesitant about the AR because of so little info about its sound quality.
@soix 
Well brother,   you are the voice of reason... I've owned a few tubed pieces and like my solid state stuff,  the longer you leave it on the better it has sounded.  I supposed that I could find something that had a couple simple tubes in it that wasn't crazy expensive to replace.... I just found it a headache to turn the system on an hour before I wanted to listen or to turn it on with intent of coming back in 45 minutes to an hour and  it ends up that I did not listen at all.  Never know,  I may end of being miserable with you. 
My impedance questions are answered.  Velodyne could not give me any answers on the phone, but they finally found and emailed me schematics,  so a quick forward of emails to my buddy Ed and I am good to go...
Here is my final search:

Jeff Rowland Capri S2
GamuT D3
Audio Research LS12

So,  yes for the Rowland, my budget will need to go up a bit. 
If everyone would keep their eyes and ears open for me, I'd be grateful.  I am willing to pay market value for these pieces,  no more,  but I won't try to rob anyone either...
Appreciate you all,
Tim
@russbutton  I've looked at these boards a couple of times in the past... I buys cars or furniture when I need it,  Apparently, I buy equipment to scratch an itch. I've been a manufacturer, a manufactures rep,  a high end store owner and a diy hobiest.....I've never had huevos, so I'm probably not a real audiophile. 
Hi all,  took a risk last night an purchased a pre that I was unfamiliar with. here on Agon. Worst comes to worst, I'll sell it off, but it sound promising.
T&A Elektroakustik P1230R

http://www.theabsolutesound.com/articles/one-of-the-best-preamps-youve-never-heard/

@perazzi28    That does look incredible.... getting one for a couple thousand dollars would be just as incredible....
I pulled the trigger a couple of nights ago on a T+A Elektroakustic preamp.  I expect to get it tomorrow. 
I posted a review earlier and here is an Agon thread about it.

https://forum.audiogon.com/discussions/anyone-heard-of-t-a-theory-and-application


@nordicnorm   thanks for chiming in,  will do,  I'm really looking forward to it