Doing a lot in acoustical engineering the first thing I would do is plot the frequency response in the room. You could do a simple 1/3 octave plot, but this is probably a little crude for what you are looking for--still it would be a start. I would actually use an MLS method, which is a noise burst and the an FFT transform that would give me the plot. The other thing it would do is give me reflections in the room and timing of those as well as the frequency range that they comprised. Then I would look at the waterfall plot and see what the energy time curves were like in this frequency range as opposed to areas outside this range. This would tell me if the problem was room interaction or not. Cases like this I usually expect it to be room interactions--but not knowing the room or equipment it's impossible to say. Even if I did know the room and equipment I would probably first do some theoretical calculations and then proceed with actual measurements.
Sherlock Holmes needs clues
I have determined by listening to many different solo piano CDs that something unpleasant is happening consistently across all CDs whenever the piano plays in the octave between about 500-1000Hz. The beautiful warm, natural piano sound becomes somewhat thin and tinny, as though the piano needs to be voiced. Both above and below this octave, the piano sounds warm and natural. I would like to isolate the component (or resonance, or room interaction) at fault.
I plan to play Sherlock Holmes a bit - but would appreciate any thoughts people might have to assist with my learning curve.
I plan to play Sherlock Holmes a bit - but would appreciate any thoughts people might have to assist with my learning curve.