Shanling T100 to the T200 shootout


I got a chance to listen to these two players today and was wondering what others think about these. First these are both really good players. I was listening to them on a really high end Krell (not sure the models .. really big monoblocks) and B&W signature 800 system. For me, I did not hear any memorable difference between the two for redbook CD. Some people have stated the T100 sounds better but I liked them both. SACD was quit interesting... I used the following disks: Chick Corea Rendezvous in NY, Moussorgsky Pictures at an Exhibition (telarc), and Monty meets Sly and Robbie (telarc). The last disc showed very little difference between CD and SACD I think do to the heavy bass like that dominates the recording. The CC showed little difference in instruments like the vibraphone and vocals (which surprised me) but a significant difference in the Piano. In CD mode the Piano seemed to be almost secondary to vocals and the vibes. In SACD mode the piano really stood out. It became really obvious that he was playing really fine grand piano and not something smaller. looking back at the liner notes it turns out to have been a 9 ft Yamaha concert grand. You could really hear the hammer hit. On the Moussorgsky the whole orchestra was bigger, more dynamic, and cleaner..

The one thing that did not really change was the imaging, both imaged well. The soundstage was not much bigger or wider it was just cleaner somehow. I'm thinking about picking up the T200 but I can get the T100 at a great price.

I only spent a couple of hours and would like to hear from someone that has spent some time with these players...
Thanks
Bruce
btrvalik

Showing 3 responses by trelja

Personally, I am not sure why anyone would choose a Redbook only player when the SACD version of the player is also available. I think that SACD definitely offers real sonic improvement, and while the format is not growing at breakneck pace, it is growing.

One thing I would like to add is that the format is certainly targeted to audiophiles. No one will be able to hear the difference on a boom box, so it ain't for that crowd. And with so many of us feeling that CD does not offer us all that we desire(not that SACD does either), why not embrace a superior format?

Just my $0.02
First, an audiophile who does not admit to the superiority of SACD over CD falls into one of the following:
1) the system does not have the capability to show the differences
2) they themselves do not have the capability of hearing the difference
3) is lying
4) owns a VERY special CD player. And, please let's not flatter ourselves here, most of us do not
5) has not listened to the new format in an appropriate setting

The first 3 or these may be hard to stomach, but we need to seek truth, not political correctness.

The reason why the high resolution formats are not taking root is software. The available software excites very few people. Instead, we have been offered 3 or 4 titles in many categories of music, leading to the format being several miles wide, but only several inches deep. Most of us, like me, fall into all of this of owning a player, wanting to buy music, yet being only able to buy something her or there.

Again, I have the player. I am ready, able, and willing to buy music. When I go to the record store(wonder why I still call it that), I first check out the SACD section, and am only able to purchase something once in a great while. Why can't I simply go to the store, and if I am in the mood for Bjork, buy a Bjork SACD? The release of The Police, Dylan, and The Stones on SACD is encouraging, but what about Limp Bizkit, Mase, and Staind?

The war between SACD and DVD-A is insignificant next to the war between CD and the high resolution formats.

While I cannot speak as an authority on the superiority of SACD or DVD-A over one another, my opinion is that SACD is the audiophile's choice from a user's perspective. The very requirement of a display negates DVD-A from being a format targeted to us. Moreover, as time passes, the propoents of DVD-A have proven to be a collection of crybabies and primadonas. Instead of focusing on the benefits of their system, they tend to trash SACD and anyone who carries that flag.
Yes, I definitely wanted to make a point and not flame. My list said people who do not prefer SACD to CD fall into ONE of those categories, not all. And, yes, I truly come across peole who lie about the sonics.

I use SACD in my second system, and while I am comfortable with its performance, it is no better than snayone else's on the site. SACDs do sound better than CD. Perticularly in the area of the foundation of music, which is where CD most bothers me. Also, there is a sense of the music flowing(as opposed to chopping the event into tiny, tiny frames), which I also fault CD heavily on. Those 2 things are why I like vinyl better than CD. I usually say to myself, "Hey, this disc/my system sounds really good!" when listening to an SACD.

One more thing, in no way do I feel SACD is superior to vinyl!