Seriously considering tube preamp…opinions?


Tube virgin, here. I am building a system and I'm trying to contain the preamp/amp cost to $3k or so. (I could go up a little.) 

I'm inclined not to dive into tubes all the way through, but get a solid state on the output end. (Open to suggestions; inclined toward PS Audio, Parasound.) I'm reading around about tube preamps and have talked with my local dealer, who sells Black Ice/Jolida and Prima Luna (PL). He used to carry Rogue but said they kept coming back for repairs. That's why he carries PL.

I'm asking these questions after having established (via reviews, comments) that Schiit gear is quite the value. Lately, I've been reading about Decware and other small tube makers. I'm very curious about buying direct, if possible, and a company that stands behind their products is crucial.

So, your opinions about tube integrated or *especially* tube preamps —

1. Who do you like? Consider I want to do pre/amp for a total of $3k if possible.

2. Do you think PL is worth all that money just for a preamp? I get the feeling they're high quality but a bit over-hyped. (No disrespect to the highly passionate Kevin Deal, but he's all over my search results.) And what would you think about $2k/$1k preamp-to-amp spending ratio?

3. Any sense of what happened to Jolida since the name change to "Black Ice"? I see there's a sordid story there but did the re-branding clear up the mess? Any experiences with the Black Ice company?

4. I know there are many Schiit fans out there; so my question would be -- did anyone consider Schiit for tube preamp and go another way? Or move beyond Schiit for any particular reason? It's hard not to just capitulate and do a Freya+ or Saga+ but why wouldn't one just go with Schiit?




128x128hilde45
Prima Luna hard to find? I see them for sale second-hand all the time.

What is true is that the parties behind PL are extraordinarily talented at dealing the hype.
Agree with 4425,  although I would add refurb'd Dynaco or Van Alstine gear to CJ/ARC.  Any of these you can easily get really good, fully depreciated preamp and amp for $3k or less.
This might be surprising, but don't look at it a foolish...until you check what I say,

Some years ago I discovered a "cult" preamp-amplifer from a mass consumer mid-fi maker from 1960's, Stromberg-Carlson.  I have restored three of these through 2007 -2013 in my restoration work for Audio Classics, or two privately (for my son).
The device is the Stromberg-Carlson ASR-433, an integrated preamp-amplifier with 6BQ5's, a whopping 10-12-watts or so per channel.

When done, listening through my Joseph Pearls !!! the sound was astonishing, good, and all owners were happy with this unit in a "second" system for casual listening. The usual recapping, etc, but no modifications.
Worth checking.  There is a bigger model using 5881 or 6L6 output tubes but I have never seen it. There is of course, other vintage tube stuff around for anyone brave (or crazy) enough to experiment and have fun...

My own system (all my design) is tube, a 50-watt/channel triode amplifier with MAC output transformers built in 1989, a two-box tube preamp (1991) , and a TUBE MR78 tuner in 1995 (for the MR71 tube sound). Drives a set of Josrph Pearls (my design also! in 1999)

RIMO
Well, it’s been a while since I looked at this thread. And internet fora are nothing if there aren’t Divergent opinions expressed, right? Having said that, I will recommend that with respect to your power amp question you seek out a white paper which is on the Sanders sound systems website on transistors versus tubes or solid state versus tubes. IMHO this will help you understand some of the important differences between tube and solid state power amps.

The next point I want to share (and its just my opinion) is that a good tube preamp can make an ENORMOUS difference in the sound of a system. IMHO it is better than not using a preamp, or only using a passive volume control. I don’t have a technical basis for this opinion but I can tell you that I’m not the only one who has this opinion.

Personally, I am very much in favor of the small artisan, designer/Builder such as the the Haviland, or the don sacks, or the supratek. You’re just paying for the parts and skilled labor to design and build the equipment. You’re not paying for staff meetings, fancy buildings, inventory control systems, email systems, accounting departments, shipping departments, management salaries, marketing, Etc. I have nothing against the larger companies, but I have worked for big companies and I know that all that money for all those salaries has to come from somewhere.

You asked about why point-to-point wiring is important. I don’t think I can really answer that. I did enjoy Kevin Deal’s video on YouTube in which he raves it up. I have read what Mike Maloney has to stay on the Supratek website and he basically says that point-to-point wiring simply sounds better. That he’s tried to make preamps with printed circuit boards but they just sound boring, Flat, plastic and two dimensional By comparison. I know that all the people that use point-to-point wiring are hardcore, hard-headed, Fanatics. That’s the kind of person that I want to do business with. That’s the kind of person I want building my s***.

One other point I want to make is that you're really not in that unique of a position with respect to finding it hard to audition some of this equipment. At least in my experience the very best equipment is hard to find. It's not mass Market. Yeah there's stuff out there that you can find but you're going to get a lot more for your money if you go to those individual Artisan builders. In my experience and from everything I've read that's where the juice is.