Hi Madfloyd,
If I were to make a decision on the Doshi based on limited exposure to it, I too would find that it is not to my taste, or more correctly, that I heard shortcomings in the systems where I had the opportunity to audition it. My respect for the Doshi is by inference - from people whose opinions I trust - people with whom I've shared observations and listening tastes in the past. In this sense, it should be on everyone's short list.
There are elements to fine components which are obvious once you learn what to listen for. For example, phono stages like the Doshi, the Essential, the Atma-Sphere MP-1, and the Einstein (to name a few), have a remarkable immunity to input overload. Raul has mentioned this in various threads on this forum. Many times, what sounds like cartridge mistracking or distortion is in fact a phono stage input section whose slew rate is too slow - one which can't gracefully respond to transients, and rings (resonates) in response to them.
Of course, there are numerous dimensions to a sonic evaluation. I point the above one out because it's one that you can analyze in any system context. Tonality on the other hand is difficult to determine unless you are familiar with the system context.
My main point relates to a system building approach - to encourage you to pick the low hanging fruit and work from there. From this perspective, the Doshi would serve you well - in spite of the fact that you currently don't find it to your liking (and might never, for that matter). From the dialog in this thread, it appears as if both ends of your system are candidates for change front end, and apm/speaker.
Now, in the end, you still might not like the Doshi, but I think it will (paradoxically) help you make better decisions about the rest of your system. I still think that you are most likely shooting the messenger. Have you considered sending it back to Nick for an inspection?
Cheers,
Thom @ Galibier
If I were to make a decision on the Doshi based on limited exposure to it, I too would find that it is not to my taste, or more correctly, that I heard shortcomings in the systems where I had the opportunity to audition it. My respect for the Doshi is by inference - from people whose opinions I trust - people with whom I've shared observations and listening tastes in the past. In this sense, it should be on everyone's short list.
There are elements to fine components which are obvious once you learn what to listen for. For example, phono stages like the Doshi, the Essential, the Atma-Sphere MP-1, and the Einstein (to name a few), have a remarkable immunity to input overload. Raul has mentioned this in various threads on this forum. Many times, what sounds like cartridge mistracking or distortion is in fact a phono stage input section whose slew rate is too slow - one which can't gracefully respond to transients, and rings (resonates) in response to them.
Of course, there are numerous dimensions to a sonic evaluation. I point the above one out because it's one that you can analyze in any system context. Tonality on the other hand is difficult to determine unless you are familiar with the system context.
My main point relates to a system building approach - to encourage you to pick the low hanging fruit and work from there. From this perspective, the Doshi would serve you well - in spite of the fact that you currently don't find it to your liking (and might never, for that matter). From the dialog in this thread, it appears as if both ends of your system are candidates for change front end, and apm/speaker.
Now, in the end, you still might not like the Doshi, but I think it will (paradoxically) help you make better decisions about the rest of your system. I still think that you are most likely shooting the messenger. Have you considered sending it back to Nick for an inspection?
Cheers,
Thom @ Galibier