Screw-down reflex clamps vs. record weights


Recently we have seen more and more 'record weights' on the market. These are normally lightweight(300-400gr)and simply sit on the record. They do not appear to give priority to bonding the record to the platter.
Two outstanding record weights of this type are the Kuzma Ebony Record Weight and the HiFi Tuning VRO ('vinyl resonance optimiser') - there is a review of this(for those who read German) at www.fairaudio.de.
It appears that these clamps, rather than channelling disc resonances away through the spindle and main bearing and/or optimising contact between the record and the platter surface, seek to absorb them directly (i.e. into the clamp itself).
The Kuzma Ebony is a particularly interesting case since it has been introduced by a company that supplies screw-down reflex clamps as standard on its high-end turntables.
My question is: has anybody had any experience of these clamps - probably 'vinyl resonance tuners' is a more appropriate term - on their turntables as replacements for screw-down reflex clamps? Clearly as a way of dealing with warped or dished records they will not be of much use, but it may be that they do a better job of damping the disc.
I would be particularly interested to hear of experiences involving SME turntables (whose platters incidentally are covered with a bonded layer of 'Isodamp' damping material).
Thanks,
Peter
pgtaylor

Showing 1 response by redglobe

WRM57, "...the presentation becomes less open." I suggest you listen more closely. Are you hearing more of the fine details of what is recorded versus the sensation of live sound?

From what I have observed, an LP that is not closely bonded to a well-damped platter, will transmit sonic feedback through to the stylus. This will give the impression of an open feel. It is subtle. However, it is really feedback. Like hearing music performed in a large hall.