Say it aint so--- Teres quality question


As a preface-- I have been a lurker here at Audiogon for a number of years, but have never posted.

Yesterday a review of the Teres 200 series table was posted at Audioasylum. I am extremely concerned about what was stated.

I have always read fantastic things about the Teres, but this reviewer seemed to consider some issues with regard to quality-- ie:

"Some minor issues...the wood platter is not 100% true on the horizontal surfaces...a very slight rise...I suspect this is the nature of machining wood?" as well as "Product Weakness: Platter slightly off true"

I plan on joining the Teres family -- but have developed some reluctance after reading this.

Perhaps some of the members here with first hand experience will be able to put my concern at ease with regard to the reviewers statement.

Here is a reference to the post:

Review by Angus Black III on January 06, 2004 at 10:35:32

Thank you, and a special thanks to TWL for the always informative reading.

Focusedfx

128x128focusedfx

Showing 3 responses by sayas

AS YOU WILL NOTE THERE ARE ALOT OF RESPONSES TO YOUR POST. I AM GOING TO GET FLAMED AFTER THIS AS THE TERES CULT WILL COME LOOKING, BUT, THE TABLES ARE NOT STABLE. PERIOD.

AudiogoN HAS MANY TERES (WOOD) LOVERS, I HAVE SEEN 20 COME OUT AND RAVE ON THEIR TERES WHEN SOMEONE ASKS WHICH TABLE. I AM SURE THAT THE TABLES SOUND WONDERFUL, HOWEVER, WOOD WILL MOVE ITS ENTIRE LIFE AND THAT IS ONE OF THE BEAUTIES OF IT, but not for audio precision. DO YOU SEE ANY WOODEN ARMS, BEARINGS? MUSICAL INSTRUMENTS ON THE OTHERHAND ARE DESIGNED TO VIBRATE AND MOVE TO CREATE SOUND, THE COMBINATION OF PLEASING HARMONICS AND NATURAL BEAUTY MAKE WOOD A NATURAL CHOICE. OTHER THAN PERCEIVED BEAUTY, I CANNOT THINK OF ANY PRECISION MACHINES THAT RELY ON CELULOSE IN THE REAL WORLD.

THE PROBLEM IS VARIOUS PARTS ON THE TABLE ARE ALL MOVING AT DIFFERENT RATES ALBEIT MICRO, AND MOVEMENT IN A TABLE IS LOSS OF DEFINITION, DYNAMICS AND DYNAMIC RANGE.

BUY A WOODEN TT FOR ASTHETICS AND ITS MAJOR SHORTFALL BUT DON'T CONFUSE WOOD WITH HIGH PERFORMANCE.
if you don't mind voids under the vinyl and the echo from the stylus etch coming back into the playback i guess a non uniform platter or making the vinyl conform to the platter is OK!

think about it, for a moment, you are trying to isolate and subtract not add. same reason you get a higher tolerance (quiet) spindle bearing or higher tolerance (quiet) motor or higher tolerance (quiet) arm bearing... i could go on but i think everyone gets the drift here

bottom line engineering out the imperfections in the tt components makes a better performing system. so by noise elimination in the tt, just as we prefer lp's with no ticks and pops, is the best chance to deliver the finest musical performances.

don't argue this point just consider the the compromises you accept to have a wooden system
I call BS Teres!

many other machines can do a job as well as a CNC machine, don't blame the equipment, look at the material! QC is QC either it is on or not...

good product but there are limitations to the medium

state the facts don't skate