Actually, @dsper, I found the Sanders Magtech and Spectron III MK2 w/all upgrades to sound much the same, which is why I went in another direction.
Precise. Clinical. Sterile. Accurate, but with little emotion that might draw me in.
With the Maggie 3.7s, I found the detail and precision in the upper registers to be sometimes sharp, shrill, and ear-bleed inducing. Could be my room, too, or any number of other factors.
My final comparison was between Merrill Veritas and Rowland CS2. The Veritas monos are a killer amp; they beat almost every other option. But, for my tastes and ears, the more mellow, nuanced Rowland house sound was what I needed to tame things down quite a bit... more warm and ’tube-like.’ Now, rather than feeling that the music is overly analytical, it sounds more as music should be.
This might also be due to the Rowland pre- that is integrated into the amp. Previously with all other amps, I went straight from DAC to amp.
Precise. Clinical. Sterile. Accurate, but with little emotion that might draw me in.
With the Maggie 3.7s, I found the detail and precision in the upper registers to be sometimes sharp, shrill, and ear-bleed inducing. Could be my room, too, or any number of other factors.
My final comparison was between Merrill Veritas and Rowland CS2. The Veritas monos are a killer amp; they beat almost every other option. But, for my tastes and ears, the more mellow, nuanced Rowland house sound was what I needed to tame things down quite a bit... more warm and ’tube-like.’ Now, rather than feeling that the music is overly analytical, it sounds more as music should be.
This might also be due to the Rowland pre- that is integrated into the amp. Previously with all other amps, I went straight from DAC to amp.