SACD - Dying already?


I just read the industry blurb in this month's TAS which described how it seems the stream of SACDs from Sony has pretty much dried up. I was in the largest local independent record store in my area last week and actually bought a SACD because it was music not available on CD. The SACD/DVD-A section was a bit smaller than a year ago and I asked the manager about it. He laughed and said they only sell 2-3 a month combined and he doesn't order many anymore.

Except for audiophiles, is anyone buying these things? Or, are all hopes and dreams of SACD slowly fading away (for at least Sony)?
tomryan

Showing 3 responses by radknee

>> Both CD replay and the quality of remastered Redbook discs have increased beyond recognition.

The reason they have is because recording studios are using hi-rez recording methods, like DSD, 192/24 PCM.

Whether SACD, DVD-A survives or not there will be high-rez music available for the masses, especially as digital technology accelerates, hard drive capacity goes up, flash ram prices come down.

At some point in the not-too-distant future you'll probably be able to download a full album's worth of hi-rez audio to your credit-card sized iPod with a terrabyte of flash RAM on your Walmart GigE connection to the internet ;-)
>> The average consumer wants convenience and my best guess is that digital satellite radio, MP3's, iPods, and the like are the mass-market future.

Apple's iTunes uses AAC audio, which blows away MP3s. I've compared identical tunes from original CDs and a CD-R burned from an AAC file -- it's VERY hard to hear any difference. Also, playing digital music from a hard drive eliminates jitter.
>> Uh oh, Radknee...the SACD crowd will put a contract on you
I support SACD, own an SACD player, and buy SACDs :-)

>>everything she played sounded harsh with no bass to speak of
Like I said, Apple's AAC files are almost indistinguishable from CD -- unlike MP3s.

Then again, if these MP3s were downloaded illegally via file sharing, got knows the quality that went into the original encoding.

BTW, Wilson audio did a test at CES (you can read this in TAS) where they setup 2 systems -- one with their speakers, and one with another manufacturer's speakers. The system with the other manufacturer's speakers was using state-of-the-art digital gear and amplification. Everyone listening to the 2 systems thought the Wilson system superior -- surprise, the digital front end for the Wilson system was an Apple iPod ;-)