Rowland owners which speaker you use & recommend

Thank you Dtanclim. . . but now I just can't help asking. . . what has been the sonic effect of the PC1s on the your Rowland 501 monos, and how long did the PC1s take to break in and stabilize? Thanks again, Guido

Vienna Acoustic Beethoven Baby Grands here. Look at my system link.

Dave

Hi Guido, I've got more than 250 hours on PC1 since putting them back in the middle of May 08. I replaced the "pigtails" that was provided by Rowland with Oyaide (P/C004)connectors and Acrolink 6N power cables. For consistency I also used the same for the power cords to the Rowland 501. Unfortunately, I cannot give you a clear timeline for the break-in as I inserted the power cables about 2 weeks after receiving the PC1 (in between some travelling).

Do you know of anyone who uses Rowlands with Thiels, Wilson Benesch, Dynaudio, etc. I am looking for full range speakers but could still fit into an apartment living room.

IMO, the PC1 clearly improved bass definition and I detected better imaging & resolution. Playing Chris Botti for example the "blair" seems to be much more realistic and distinct. As I understand the PC1 takes some of the load from the Rowland 501's which then allows the amps to deliver improved performance.

The PC1 doesn't take a load from the 501s, it buffers the load demand from the 501 on the mains and instead of a spiky demand request it presents a more even, sinewave-like load that keeps the mains clean. (Those spikes cause harmonics in the mains, that presents as noise in the system). Additionally, the PC1 converts the AC to DC and presents 380 Volts DC to the 501s, or whatever is downstream.

I'm using the Beethoven Baby Grands in an apartment now. They've got a small footprint and they're not too tall to fit in a smaller space. However, the Rowlands should handle every speaker that you listed with no problem.

Botti's trumpet tone is troubling because it's highly processed and doesn't really represent how trumpet sounds outside of processors. Still, I think of the "blair" as "scheen" or "sizzle", since "blair" is a negative term to us trumpeters, which results when the trumpet is not played correctly. On well recorded brass there should be a wealth of high overtones. Trombones should have a buzz or burr when played loud in orchestra music. That's a real part of their sound. Believe me, I've heard it in the back of my head more than a few times. ;-)

Dave

DCstep...Have you ever heard Botti in a live conert? That's the way his trumpet sounds. Bring earplugs.